i lead a man made life

and pat it down.

2012-02-08T18:05:00.000-05:00

bury.

from the desk of...

2012-02-08T11:24:00.000-05:00

more found street love.

plugboard.

2012-02-05T08:57:00.004-05:00

she has the heart of a Machine.
paced in constant revolutions
so efficient for the age.
little room for chaos little room for entropy
and always craving fuel for more.

decatonic.

2012-02-03T08:47:00.000-05:00

make no excuse.

massive.

2012-01-28T21:12:00.008-05:00

saw these incredible minimalist marvel posters done by marko manev.
really blew me away. wanted to share the power of the direct and poignant.

more.

smoking is...

2012-01-25T11:28:00.003-05:00

wrote this november 9th on a whim.
wasn't sure if i'd wanted to share it.
two months later, i guess it's too cold for change.

I don’t feel this is a solution, though I don’t feel that I have a solution for very many things. being part of the ninety nine percent is not some sort of shameful thing or a definition that we are part of those that lack. we just happen to be the result of a broken system that we perpetuate. this is the system we all have trusted for years, and even if we didn’t trust it, we followed it. there’s been a kind of involuntary slavery to it. for every moment we felt control slipping away, we should have been questioning and recoordinating from that very moment. sitting down in wall street is not affecting their bottom line. there are always going to be people who are going to be able to ignore the fact that one, a few, a many, or even all, dislike their concept or their means of getting to an end. seeing those who are trying to represent us in wall street either through sitting, occupying, or marching isn’t affecting their day. their eyes don’t even register revolution. they don’t recognize a new progress. for every cluster of you that boycotts their product or service, there are millions who still engage. of the 99%, those of us who are active in utilizing our voice to demand change, whether it’s through written word, presence, violence or otherwise, you are not even 1% of that mass. this method doesn’t work if you don’t get everyone on board. and everyone isn’t going to get on board. we’re not all going to go to the big cities to speak to this motion. your occupation requires attendance. even for things that are enjoyable, there is no way to guarantee that people would show up for such a thing.

x

I wrote that at 0540 one morning before work. I wasn’t even dreaming of the whole thing. I think I read something on google reader, and the solution seemed obvious to me. if you don’t like the rules of a game, you can leave the game. there are so many people shouting about the gravel being hot lava. if we cross it, and throw back a middle finger, or even just walk back into the school or back into our houses, anywhere, enough of us will realize that the bully has been convincing us about hot lava just so we can’t be first on line for lunch.

this whole movement has been unavoidable, being part of the generation, the demographic. I started doing a bit of research on the whole thing, the whole open thought of it. I wholeheartedly support what’s going on. my major issue with the entire thing has become the process of trying to figure out what exactly we’re doing about change, and overall what we’re really fighting for. what it’s all seemed like is a bunch of people my age standing around to represent that “shit ain’t right.” got it. I think we’ve been saying and hearing that forever. but there’s one quote that I finally read that stated the one demand that started the whole procession:

“one simple demand—a presidential commission to separate money from politics—we start setting the agenda for a new America.”

fucking refreshing. it’s taken so long, so long for me to finally find that nugget of information. and the one issue I was having finding that information was that I was reading about it in the wrong places. in fact, what am I saying? I wasn’t reading about it at all. I was talking to people about it. people who related to it, who supported it. and they hadn’t even a real, solid clue as to where it started, what’s changing, what the demand is. what they were telling me was what was happening to it. it was an endless oroboros. “the police shot rubber bullets, the police broke down the tent village.” got it. but why was the village there? “well. um. the um. the police sprayed girls with pepper spray.”

this isn’t the race riots. this isn’t about the police hating these people. or being taught to hate these people. this is more reactionary. these are the same guys who we used to hate in high school, the sloping, mannish strong-arm types who if you start a group of people laughing, will demand the spotlight and do whatever it takes to steal it. stand in his way, he will forcefully move you or make you regret it. got it.

but finally reading that demand, that one demand, puts it into perspective. make it so that those who we are voting for will make decisions based on moral fiber, genuine interest or belief as opposed to who is providing the most money to their re-election. with it. got it.

there’s so much to this whole scenario that no one’s really talking about on the outside. much of it may be happening on the inside, but I’m kind of afraid that… wait. I’m not afraid. not for real. I am convinced that a lot of what’s going on on the inside is a lot of preaching to the quire. the choir, you know. it seems a lot of the talking that people who are walking that line aren’t hearing is being kept cushioned deep within the heart of the whole occupy movement.

for different reasons, I get that the movement is important. but I feel that at every chance this whole group gets to really make a giant leap in the right direction, they end up looking either worthless or terrified because they aren’t able to really demonstrate outwardly and openly because of various rules of where you can and can not protest and other things like how you can do it and what you can’t say and onward. i feel like there’s a big thing happening. a great thing where this mass of generic progressive young people are making enough of a rustling to get noticed by press and media and the thought structure, but once they get the camera turned to them, once they get the microphone time, they sort of blink their eyes and get nervous and throw together their best coy smile.

I want to believe that there will be change due to this standing about. or at least ignited by it. but there is no leader. no real spreading wave of effective stirring.

I think we all at the very least understand what’s happening. but whether or not this stand is building to revolution is another thing entirely. it’s a very positive thing that a lot of people polled or interviewed aren’t seeing the occupiers as pigeon holed fist-shakers who are making a big stink over nothing. I think they’re being taken pretty seriously. but the lack of a stance makes it hard to climb or progress. I think that’s mostly due to the lack of quantification we can see. who comes out of the Door of Imagery waving a white flag with a puppy dog face, saying, “alright you kids! we’ll do it, we’ll make this better!” ? no one. we can’t change any chair and watch things overturn, get overrun, and then all of the color returns to Pleasantville. rather, we have to use this moment of silence in the room caused by an urgent, somewhat shy, but forceful ahem as a chance to gain a representation and a voice in the room that continues to get louder and louder of big wigs hearing themselves speak.

as long as these guys are counting zeroes on their checks, they don’t care. they’re not afraid of us. they don’t even see us. we have to make a radical change. an entire structure has to collapse, and the only way to do that is to operate outside of them. the unique opportunity of cities of this size is that if enough of us are on the same side, we really can make some major dents. I am genuinely curious if all of us in the metro new york area didn’t pay our credit card bills, or closed our bank accounts in a slow and quiet gliding landing of a movement, how big of an impact we would have on those companies.

I’m spinning off a little bit. I’m not sure what my point is here.

but I guess I’m stating where I stand on it, and putting my fingers to keys on a laptop is the easiest way to do it for me. I love this moment. I love it. I just want to treat it preciously and importantly instead of like something that we will look back and remember fondly. I don’t want this moment to be remembered. I want it to be a start of a new look, with new eyes. because this is not enough. we need a leader or at the very least a representative. a voice that will be recognized. we need someone who knows our priorities, and they must be defined. we need someone who will see us, our demographic, our generation (and those that follow it) as a people. the scale needs to shift. somehow, we’re still going to these schools and building college debts that aren’t helping us get the jobs we want to build the world we love with the skills we’ve nurtured for our entire lives. we just want to trust the system. and we’ve never had a chance.

from where we’re standing, we’re going to keep following the rules that we hate because we’ll reluctantly take the cues from a hierarchy we never elected because we never had a chance to show we had the credentials to have our voice sound like an equal because we never bought the proverbial suit that looked nice enough to let us into their meeting. our ideas matter because we are our own ideal future. we’re walking in the one big kid’s hot lava, and there are a dozen of us meeting eyes and rolling them. no!

we need that one voice, that one trust, that one small victory to prove we have a say in the way that our tide sways. I believe in all of this, I do. but even my attention is faltering.

clay dries so so slowly. but yes, the clay will dry.

clarke st., sunrise.

2012-01-21T09:25:00.001-05:00

there will be no je temme, je temme.
just puffs and deep woofs
and the covering of ears.
it will be wrong, so very wrong,
and while we're searching for a hero amid the strong and true
the looting will run dry.
a place which had seen so much good
now holding up the knees of those struggling
or weakened too deep to believe any longer.

wheezer.

2012-01-03T10:35:00.003-05:00

i wouldn't consider myself an archivist, but honestly if i still lived in brooklyn and attached myself to that artist lifestyle, i more than likely would. what i can say is that i love finding people's written word. i almost obsessively collect it. even if it's just a shopping list or notes from a construction site. i collect them, and pin them up places, or stuff them into whatever notebook i happen to be filling at the time. it's almost proof or almost nothing. there's something about it that i get a warm feeling about.

this particular piece was in the next door neighbor's driveway. in the driveway itself. and i walked past it, almost intimidated by getting on that person's property, because already this is the kind of guy who we've been warned about, the kind of guy where if you're too loud in your own room at 11:36 at night, you feel like he's peering through the shades at you. the kind of guy, in fact, that knocked on our door at one thirty in the morning because someone parked in front of his house and heard that someone get into their car and "it disturbed him and his family".

but i went back and said fuck it, i'm taking it. which is no heroic gesture or maneuver, but still, while i'm walking into his driveway, the number of scenarios coming into my head are numerous and the explanations of excuses i'm building are hilarious and terrified. but i grab this and i see the first line of it and i know immediately that it's been worth it.

it's a story written by a child, and i can very memorably recall that feeling of writing stories on pieces of loose leaf, and thinking that a chapter can fill just one page, and then you put the illustration on the back of it, because obviously all books have illustration. i pinned it up under my adventure time logo because it makes perfect sense to. what follows is the transcription.

chapter 3
the transformation

Then Nachos came and then Something happened to steven. I couldn't believe it. was I transforming? Lets see my 1st transforming Power oh yeah It's called R.t.p. that stands for radioactive transforming powers Rtp for short. The power is I have blonde hair you can throw Powerballs, Lightning Strike, Lightning Balls, and Gigantic power balls. Then Someone Named Master dokoye He said the transformation has began! Rtp will live forever! Then Some bad creatures came they had Sharp teeth So I said I'll kick you butt!

construct.

2011-12-31T01:48:00.002-05:00

these were in boxes, haphazardly scattered.
i was waiting for a bookshelf, but i stopped waiting.

posit.

2011-12-26T22:16:00.001-05:00

wen[hhh]/.

2011-12-14T04:25:00.001-05:00

i feel about you.

wing.

2011-11-29T11:53:00.003-05:00

in the grand scheme of the whole nanowrimo, a major theme is to never look back and, in fact, to write headlong and to never stop. i forgot that what happened last year was not so much lack of interest, but lack of grindstone in the face of the retail holiday season's endless pummeling. i don't feel myself, really. not that it's a bad thing or that i'm slipping away or anything like that. but i think we all hit that notch in which you fall where nothing glows the way it should, and picking yourself up to do it all again, any of it, requires a crowbar and a hammer. i'm in the middle of that.

and i hear the other day, i hear someone say, "just another month," and that's until it goes back to the way it always is. which isn't something particular to look forward to.

gloat!

2011-11-09T17:56:00.007-05:00

I had a very good dream last night. very good. it wasn’t really beneficial, so to speak? meaning it wasn’t a dream in which I was given a ton of money, or a ton of love or a ton of compliment in general. just that the world was very rich. I was at a show at first, and it was very dark, and we were in some kind of house that had a lot of little coves where you could tuck yourself in and watch where the bands would play. “this town again” was the band playing, and I was telling someone about watching them and when you watch them, you have to enjoy all of the really complex interesting stuff, but sometimes they go into these parts of their songs and they are just terrible. very bad. so you have to literally hold on and not get knocked over or knocked off of the shelf you’re on. because it’s so bad.

blur.

then I’m looking at the banister or the railing of a deck and I’m watching a cicada on it, and it’s crawling away from me, and its wings are those of a blue jay. and it was incredible. they folded flat against its back, but the color pattern was the light blue, the white, and the darker blue tones of a blue jay. and it was actually feathers. I wanted to grip it from the back of its wings and hold it and examine it. when I reached for it, it jumped away like a cricket. those big crickets, I think they call them camel crickets. it was gone, though. and they would appear again every so often.

and where I was, I was slowly building the world in my brain and the longer I stayed and understood the culture of that world, the more the world had detail. north south east and west was slowly established. things of that nature. I started to see there were different groups of people, but they were extravagant outlandish differences. like one group was full of pirates in full garb, others were ancient wizards, there were japanese school girls, and so on. but the most sought after groups, the groups that entire throngs of people would follow were the cicadas with the blue jay wings, who would eventually grow larger and larger and walk on two legs, but crouched over like the urRu from the dark crystal. they’d walk around slowly, but covered in robes almost like Gandalf type spell casters, and people would follow them and follow them. they seemed to still have that aimless insect gait. this village or world was somewhat like a tree village with lots of levels and branches and little places that were built into the tree or building to go into and live or shop.

headwind.

2011-11-07T11:49:00.003-05:00

click the above picture to get a little glimpse at my profile for the work i'm doing for nanowrimo. it'll probably be very static save for the word count, which is something i plan to update as i take it on daily.

as i learned from reading brian martinez' piece from last year's nano (kissing you is like trying to punch a ghost) it doesn't have to be as demanding as it seems. it's about telling a story, almost like sitting down at a campfire with an idea and exciting yourself and anticipating your audience's moves a lot less than your characters'. each character has a voice and a path and you let them speak through you. almost a channeling piece.

bring me up.

2011-11-03T10:30:00.004-04:00

so nanowrimo has begun again. i remember that i had begun during last year's in writing something i had somewhat shaped in my head and then started running at 12:01 on 11/1. it didn't come together as i'd thought as i got overwhelmed with the goal, word-wise and underwhelmed with the overall concept i had and the actual words that were coming out. (see what i'd written here)

this time around, it's all very random and a little more patchy (much like the beard i'm allowing to overtake my face) but it's more fun, and i feel more drawn to it than i have in the past. i'm not concentrating on word quantity, but more the act of getting down to write something all on one massive project. i'm generally more one to open up a piece of blank notebook paper, start with a line and run on randomly for whatever time it takes until the dagger hits the hilt. it's rare that one project makes sense to me for more than an hour. maybe this will go over well.

quandary.

2011-10-13T14:45:00.002-04:00

i just thought this was a great film poster.
i'm sure the movie will be phenomenal as well.

crux.

2011-10-06T12:42:00.003-04:00

i have been waiting forever to get a writing desk.
been looking for a good desk to sit down at and really get down to it.
just moved into a new house, and one was abandoned here.
the room i moved into had the perfect wall for it.
utility.

kierkegaard.

2011-09-10T01:23:00.003-04:00

Leveling at its maximum
is like the stillness of death,
where one can hear one's own heartbeat,
a stillness like death,
into which nothing can penetrate,
in which everything sinks, powerless.

redgold.

2011-09-08T04:04:00.003-04:00

i wish i could get as stoked for things as i used to.

like 2004 stoked.
or maybe 2006 stoked.
very different times.
such very different eyes.
i had a good feeling about a lot of it.
and a lot of it was just as vague.
"a lot of it" as a definite indefinite.

i've hit a point where nothing matters.
not in an empty way, i'd hope.

i think i've always had this vision of having an unbelievable crew of individuals who are this massive inspiration to each other. who write and create on a daily basis and who throw each others' work around back and forth at each other because while they can't wait to have their next piece done, they really, almost moreso, can't wait to read what's next from the guy down the hall. throwing opinions on each others' work back and forth and constantly building. like a massive lennon and mccartney thing, happening always. always.

if i had that, i wouldn't care what kind of money i'd be making or even who loved me.
but fuck it,
these are seeds to the wind,
and off to the rocks or the sea.

you left with him
and even when you didn't,
you said it's definitely someone else.

weak in the life.

2011-08-26T13:38:00.008-04:00

yo.
i'll be
right back.

, but soundly.

2011-08-18T12:44:00.003-04:00

so, this is done.
it took me a trip to office max and a few cutting jobs
to get furious about The Beach Boys' becoming Beach Boy's.
was trying too hard to keep everything contained on that size.

spherical evaporate, the.

2011-08-17T01:53:00.002-04:00

i've lost something.
two things, really. one which wasn't as significant.

they were placed together in my old apartment while packing, and i put them together in a place i knew i'd be able to access easily once i got back to the house here. and now i can't recall where that place is. it's a whole book of poetry i'd been working on, a specific project. tons of notes. it was one of those composition notebooks as well. i've lost moleskines before. those seemed random, though. i've lost two or three. and while the realization that it is no longer going to be found is a massive heart breaker, it ends up being kind of okay. i feel like it's sort of a gift to someone. the 1/10 chance that someone might find it and appreciate it (vs the 8/10 chance someone will simply toss it, or the 1/10 chance someone will find it pathetic) is good enough for me. but this is a pretty big deal. i'm feeling a great weight of it. i don't feel i've ever had a major tie to anything that i could really lose. i tend to feel most things are replaceable.

there was a letter in that book as well.
and drawings.

-

new mix cd is done.
mix xix: ", but soundly."
track list up in a week or so.

species pieces.

2011-08-08T00:48:00.002-04:00

could be the best night of my life.
just broke a horse's neck.
could be the worst night of my life.
that's a dead fucking horse.

RIP MMVI-MMXI (2006-2011)

district of columbia.

2011-08-06T00:36:00.008-04:00

had i been guilty of those fabrications,
i'd have left me too, by god and Gods.
many fictions have been donned by myself,
and none so much as the character who could show you
such adoration.

painter, o', i looked at you as sun on breathless acres,
though in passing seasons as light fractured in panes of plated glass.
and the silhouette meant you still showed up.

i heard the rain, you know it.

the bathtub filled with bottles
where there once were hands instead,
which cupped the stories.
they bang together ungraciously,
no concept of what will sound a proper cadence,
all hollow space filled with merciless spinning
where there once were maps of every coast and in between.
i never heard you sigh again, i only heard you breathe.

the bottles floating endlessly, you tied them sweetly,

addressed to home.

had i been your greatest fear,
at least i would remain inside your backwards glance.
but i know you're sleeping soundly now,
no light to pale your face.

i have only loved survivors.

you said.

2011-08-05T11:11:00.002-04:00

i believed you, and you weren't even the only one.
you talked about how i filled a vacancy and with hope.
i could wake up flattened and dried all wrong, and still
you never admitted that you were just a figment.
you never spooled up on the projection room floor.
you never hissed at the end of your final song,
intermittently puffing with no sound to release
despite the perpetual spinning.
i believed you, with your hand on my heart
and talking about being lost in nameless cities,
talking about being old and storied.
your hands on my face, watching your tear pass down your cheek
titled: "this would be years and decades"; still framed.

i'm fairly sure it happened, and it's simple to never be fragile again.

locustoms.

2011-08-04T10:56:00.003-04:00

you can be no one and still escape nothing.
in barred windows, their faces are catalogued in longing portraits.
no wilderness here in hindsight, boy.
there's no one willing to petrify your presence.
you're out, in league with the antiquities, and ain't that a thing or two?

we waited you out, The Flood and I, in winter's berth.
it's easier to pique with no one watching, and the eager half as willing.

i could never work this genius shit out,
for it was always lack of courage.

well, you could breathe.

2011-08-03T11:29:00.004-04:00

fully uninspired.
brutal.
smoking with the windows up.

i've had these visions the past few days of being stabbed repeatedly. in the head, through the skull. no one having the humane rationale to stop it, so they all scatter or stare like no life is at stake, just a playground scrap. i imagine my blood on my driver's license. i think about building a graveyard stare to keep the wolves at bay. i think of men of no consequence. i think of their bearing down on me. nothing lost in their attack, though nothing gained. a violence to contribute to their sin, a pelt for their collection. my life dominated by fear for a solid three months. shame and nothing else. this is the dynamic.

feels like i left a record playing in the next room.

remendeleev.

2011-08-01T19:40:00.003-04:00

d
on't change now into
somethi
ng you can't handle,
because when it's
done i
t's done,
and whe
n
it's through it's through.

esmé.

2011-07-20T10:15:00.002-04:00

i feel awash.
awash.
words on a page
sworn by ink in western pictograph.

make no promises

their own self resonance
and she won't answer.
it's not as if i turn her away.
fruitwine;
alone for volumes and more.
the passing and passing of an evolution of imperfect wrecks.

we pace in a dream state,
halls, halls,
and then company.
dreams of sex with her in hell
aside broken wine glasses on sidewalks.
eyes passing by the windows.

we are false, for real.

wanna share an epoch?
or communion?
real spirit, but o' nothing promised or true.
the dead in your dreams are your questioned breaths,
a want to be good, alone and unique.
strong because you are art without premiere.

hands, idol.

2011-06-29T13:42:00.016-04:00

i have spent a lot of time in 2011 playing video games. i wouldn't say it's one of my passions, but it's definitely a story telling medium that i've come to appreciate since i was younger, and beyond that, they can be entertaining on SO many levels beyond telling a story. in fact, sometimes it's a relief to be blasting dudes with guns bigger than my torso because of some vague shadow group they belonged to or were hired on by. and they were in my way.

i spent forty something hours on mass effect 2. as commander shephard, i was trying to save the human universe from collectors who were stealing human beings and using their bodies as husks and as a model on which to build a gigantic reaper, which would then be consumed with destroying all organic life within the galaxy. ya know. that's what i did. i think what got me so deeply involved in this game was the fact that a massive portion of the game is spent building your team. which was a throwback to possibly my favorite game of all time, final fantasy vi. building this pretty major relationship with the various men and women you pick up and aid ends up coming to a massive head in the final drive towards the final goal, when you have to select different individuals to lead parties, perform specific tasks, and fight alongside you based on their previous and current training. you're also given the option to go on character-specific loyalty missions which are requested specifically by the individual characters which can bring them closer to you by showing you're willing to go to another level for your crew. dope game. third one is coming out next year, probably around march. whole thing looks a little different. i've heard there is going to be a smaller crew overall, so that you can build richer relationships with those with you. i was a little bummed to hear that the other characters who i'd just fought side by side with wouldn't be playable in the new one, but bioware announced that they'd be back in some level. stoked. gameplay in the game actually wasn't all that great, to be honest. it was standard cover based shooting, accented with different powers like fireballs, shockwaves, gravity altering singularities, etc. but what kept this game a staple in my daily life was the size and depth of that universe, and the ever building and changing relationship with everyone i'd met and brought along in the game. phenomenal.

one thing i really admire about bioware is the fact that they are almost tolkienian in their chronicling of their worlds. even within the dragon age series, i felt i was reading pieces of information on races, areas and individuals that i'd never meet or be affected by. wars happened in which the result barely affected the present any longer. but they wrote about them. created heroes. killed heroes and kingdoms. and in mass effect, they've done the same. entire races are described in pain staking detail. information about the gravity of the planets are provided, the evolution of those races to their current appearance and economy, interactions with other races. and even in little ways, it will always be accurately portrayed in the dialog between two characters. when a character doesn't react or interact in a way you'd expect with another character of another race, you're not put off or calling it out. you can see within the choice of words that this whole process is one of distinction. the way the conversation plays out is completely believable.

the only reason i didn't dive directly into a second play through of mass effect, was because as i was finding myself concluding that story, another one was coming out. and this next undertaking was l.a. noire. it's a 40s detective story told in the motif of a lot of the books and films of the time. i don't have to illustrate it to you. the major part about this game was its innovation. and it all began at the visual level. they did this entirely using motion scan technology, which is used to capture the real actors facial expressions from a multitude of angles to really flesh out and embody the entire visage of the character. i can tell you with no exaggeration (possibly from the hype that i'd been building for it on my own) that when i saw in-game footage of it more than half a year before its release (and the first that many had ever been exposed to) i got a little choked up. legitimate body tension. i was floored. but still, i was unsure how they were going to actually pull the game off. sure it was pretty, but what am i going to be doing? how is this going to happen?

and that's actually what stole the show once the game was in my hands. an hour or two in, you quickly forget about the visual innovations and all the ground they're breaking there, because the gameplay is unlike anything i've done in a game before. your cases involve you finding clues within a crime scene, followed by interrogations of witnesses or people of interest. occasionally, there will be a more traditional chase sequence or some kind of action event that will finish up the case. this is fine. it brings you back to a place you're comfortable, you feel in control once more, and also, what's more, it makes sense when they throw it in there. it feels like an honest, pivotal moment.

you're a veteran who's become one of the last good police officers in the city. you're also a human being. the cases you see affect you, bring you different places in your life. but more importantly, you're doing your job with integrity, the right way, and diligently, regardless of the trouble you're given while it's going down. good, solid story.

the thing that i genuinely loved this game for was the way that it made people talk and think about the medium. i talk to people all day about these games. all day. and in a landscape that is completely dominated by first person shooters (namely the call of duty series), this one stepped up to the forefront and fearlessly threw most of the guns to the side. even many games within this sandbox genre are more open ended random encounter based shooters. but not l.a. noire. you thought about these cases while you were playing them. you were retaining detailed information not only to get a better idea of the story line, but also to succeed within the narrative. the best story was told when you were properly interrogating your witnesses, using every clue at your disposal, and recognizing the ticks that your questions had spawned, and knowing when and where to pull your ace in the hole.

a lot of times, i felt beaten down by this game, even though i was still getting to the root of a lot of the crimes at hand. and so were many others. many people genuinely wanted to get better at examining the crime scenes for every clue, to get as much information from each spoken eye witness account. you could hear people wanting to get better at what had become their virtual job because it was almost making them feel a dedication and an obligation to the city and its inhabitants. the pulse of this game was rich. something has to be said for the writers of this game, and how they had to think and speak directly to los angeles, and to the set piece that had been laid out for them, and not worry about what video gamers were going to think. this wasn't a game written or produced for gamers. it's for people who want a virtual experience, and all that comes from it. this was an entirely new type of storytelling.

i then played infamous 2 which is a much more traditional entry into the sandbox genre. it's a sequel, which lends itself to following a ton of already laid down mechanics, and even plot points and story arcs. this was not much different than any other sequel that the genre tends to offer up. though there's something about this type of gameplay that i cannot deny. the endless collecting, the massive scale, and the continuous character skill development makes me want to perpetually check in to the game, although i'm essentially repeating many of the same actions.

had i simply carried through with the core storyline, i could have had it buried in about 7 hours. you learn more mysteries about your powers (lightning and electricity based control, as set up in the first game of the series; a fantastic superhero origin story) and how to continuously upgrade them to charge a device which is meant to be able to strip powers from a massive "conduit", which is what they call human beings who are capable of wielding such powers, in the event that their inherent powers are eventually awakened. this one antagonistic conduit is titled "the beast" (lame) and is about the size of several buildings and is laying waste to the entire east coast. all the while, a preacher turned warlord is commanding gangs of mercenaries to stop you and is enslaving the faux new orlean's populace as well. you eventually get enough power to stop these villains, but consequences abound. depending on whether you've followed the good or evil storyline, the outcomes are vastly different, and have ripple effects, worldwide.

being the type of player, though, that isn't content to just follow the 20% of the video game that the story encompassed, i needed to recapture every piece of the city, i needed to gain the respect of the people (i played through the good storyline), and i needed to comb every corner of every street to make sure that i had obtained every piece of the underground, parallel story line that you can uncover by pieces together recorded messages between the support characters. i could find things to do forever in that game. something about that core gameplay style screams out to me, and i can't put it down. i'd say this game wasn't as good as its original, but its plot points were a little larger, and had a much bigger impact.

something that stood out to me in a big way was the fact that so many who had played and enjoyed the first one and didn't like the second would cite the character's new voice as a major reason they couldn't relate to the game. it's interesting that they had meshed, and gotten invested in cole (ironically named the same first name as the protagonist in noire) on such a level that something as minor as a voice could turn someone away from a game overall. this is a place that i'm sure many felt video games could never reach. a common case of "the other darrin."

and this is what i'm playing now. fear 3. i don't think i like it. i'll probably finish it, just to know what's going on with the storyline in the series. i'll try to break it down, but i'm not even sure i'm following it very closely. you play nameless "point man" who was sent in months ago to take down paxton fettel (who ends up being your brother) who had set up a psychic link with a hired mercenary squad. also helping fettel is a paranormal entity, little girl alma. in the second game, you control another guy, who alma is strangely drawn to, and she ends up somehow psychically getting impregnated by him. and now in the third game, you return to where these actions occur, and are trying to subdue alma from having this child. she's having massive contractions which are crushing the city. and if she has this child, it will be the embodiment of massive evil and suffering, and mankind will be ravaged by the child.

alright?

this is the perfect example of a game that didn't need to be made. i genuinely loved fear 2. from a gameplay standpoint, it was a very tight first person shooter with a nice bullet time mechanic, had great set pieces and well-balanced weapons and enemies. aside from being a shooter, it also was going for a survival-horror type thing which was pulled off perfectly. i can remember many conversations with friends about the school, wherein while they were playing that particular level, they genuinely wanted to go no further, knowing things were going to be messing with their mind. the game borrows a lot of themes from japanese horror, from the timing, to the off-angle shots of what is coming for you. also, misdirects and false reliefs were a major part of what made the game so stressful. a great, true fear experience, if you allow yourself to get immersed.

and what it comes down to is ideas, and the desire to pull them off. playing this game feels like you're hearing a story told by someone who read that it might have been told to someone who thought it was an okay story from someone who somewhat liked it.

there's guns and a ghost? here's alma? oh, and sometimes, you go slow.

this game had one solid moment, and it came in one turn of a corner about 3 hours into the game. the idea was then reused throughout the next few levels. they introduce enemies who act more as obstacles than functional inhabitants of the game world. if your ideas aren't strong enough to fill a concept from birth until conclusion, keep building ideas. what this game could have been is the remainder of the final pieces of an idea that barely came together in the end, or a full 10 hour experience built around a few neat ideas a writer had floating around. but what's more than likely the truth is they wanted to cash in on a franchise that has a fairly loyal fanbase that still had an open ended story with a few more chapters to be adlibbed. strong ideas only look strong when they're complete. beyond that, i've always felt that they get dragged down by the mediocre ideas you've used to vehicle them outward.

akimbo.

2011-06-22T23:05:00.001-04:00

not sure what to do with myself,
so i'm standing on top of my doubts.

in swaths.

2011-06-21T15:17:00.004-04:00

i'm generally not INTO art pieces or visual artists in general, and the only reason that is true is because i, myself, haven't come across very many that i can get into by name. the medium is so silent, very reflective. it often doesn't elicit very much from me, other than inspiration for greater, farther reaching ideas. also, having never studied art, or had any friends who have, i'm again a bit of a guerilla style fan, picking up what i can from environment and in passing. oftentimes, this has served me better than word of mouth. my path sort of devises itself.

the above artist is gustav klimt and much of what i'm seeing from him is very densely populated by color and thought. seems very huddled together. i enjoy it, to a degree. sort of slowly looking for more.

i love that the above painting is entitled mermaids.
there's something very wrong about them.

cuniculus.

2011-06-19T23:30:00.002-04:00

i am not a photographer.
but i do photograph.

went to brooklyn this past week to take some photos and walk the streets that i miss. got inspired, saw some friends, started missing the place in a major way. would love to make the place my home again, get a job out there, and really get established. even if not immediately, i have to start making a push to have myself happen out there more often.

claustrophobia has become the mode.

again, some pictures from the visit, the rest (and the full sizes) to be found on the flickr.

visit.

2011-06-13T18:36:00.003-04:00

justine and dan came back to new york to visit for justine's birthday. dan lived here for his whole life. and justine did want to see the beach (which wasn't in the meterological cards). but i like to tell myself that some percentage of why they came here was to see me. so i will have to repay them with a trip to west virginia, somewhere in my temporary relocation exploits.

i wrote her a birthday letter that was written expressly, very deliberately.
the words came quickly.
having her in my life is a pretty big deal.
there are some people that i want to sync myself with,
have our sensory traffic interweave.
she is one of them.

here are some pictures i took that i enjoyed while she was here. the rest are on my flickr.

and here is a picture of capone,
exhausted from the weight of reason:

sull.

2011-06-12T01:20:00.002-04:00

the canon powershot elph 300 hs.

as if that means any damn thing.
i bought that camera today.
i'm stoked. it's super small.
i have a good amount of friends who do a good amount of things.
i've never had a digital camera.
glad to add it to my crew.

about a year or two ago, i was thinking about buying a digital SLR camera on the recommendation of a friend who is really into technology, and also a friend who graduated with a degree in photography. the more i looked into it, the less i felt i was going to use it for its true purpose. so i got a small little camera that i thought was cute, and knew i would use.

i started feeling bad, and almost fearing the fallout from my tech friend.
i still kind of do.
i'm worried that when he reads this, he will know at least three glaring reviews off the top of his head that he will CITE FROM MEMORY once he sees it.

i'm still stoked to take pitchers though.

straight lined jacket.

2011-06-10T11:16:00.002-04:00

DEMOS by The Ice Choir

this is a project being undertaken by the frontman from a recently dismantled band called the depreciation guild who were also incredible. very direct premise for the songs, not going outside of what the theme is. 1980s inspired synthpop. had a track on a mix cd a few months ago (dream about me) which had me captured for a few weeks, along with the rest of the record, spirit youth.

these five tracks are all listed as demos, and i have yet to find an opportunity to officially digitally download them or to purchase a physical copy of it. tried to get in touch with him today, haven't heard back from him. until then, i figured i'd share it here. get the exposure up a bit. see what some of you guys think.

have four creative writing pieces in the process of coming together.
two of them are not poems.

savlo.

2011-06-05T05:06:00.003-04:00

pricing tickets for chicago to get to the braid show got me amped. it will be followed shortly by a week in vegas. oregon in july and a day or two in florida if i can swindle it.

don't give me up.

stabadabadingdong.

2011-06-03T00:59:00.003-04:00

some phenomenal works of art here.
some of it kind of runs together, but the style is marvelous.

arthur, michel

eastern europe bale fires.

2011-05-31T09:18:00.004-04:00

i've been a fan of dan hillier's work for a couple of years and i've definitely posted a few links to some of his pictures on this blog, moments after seeing the pieces, simply because someone else needed it. then and there. it had to happen. disbelief.

he had a show in brooklyn last april, on the 7th. through cowardice, laziness, excuses, many of the above and more, i didn't go. i know artists don't "break up", but this is exactly the kind of regret i felt when every band i've ever loved has broken up and i know i skipped a show because i'll catch the next one, and so on. pathetic.

but
i went on his website this morning after linking in from a show flyer he had. the site is sparse, not much there. but i clicked, randomly, on a piece of the page which appeared to be simply blank, but it yielded something incredible. truly one of the best pieces of work i've seen, both from a written standpoint, but based on the visual artwork as well.

phenomenal.

check it out here.

a groan.

2011-05-23T22:30:00.002-04:00

and plant her down in soil undisturbed,
what wretched cloth was found amongst her bones.

shelv.

2011-05-21T18:33:00.001-04:00

I understand the need for diversity and that not every kind of art has a definitive style that works within it. Look at the many genres and artists within the medium of music that i have fallen deeply in love with. Common to Fairweather to Misery Signals to Tim Hecker.

There's a level, though, that has just been illustrated to me in a solo train ride out to Manhattan. You can find the same sort of lesson in any brick wall in almost any urban area, though. To see masterful, quality pieces of graffiti dominating a wall or bridge only to be surrounded by juvenile go-hards is almost insulting to the artist. Are we even having the same conversation?

And i feel this way about a lot of writing that i see out there. It's not that i expect anyone or everyone to stop putting words to paper or out into the internet. But some of the pieces that get published in the world of journalism and reporting seem to act as punishment for all of the words that never will. You can see the lazy and sensational dominating the landscape, the same as the quick and rushed lines of the all-but-anonymous initials hacked up as if in a dare or in a fit of bravado.

We can't all be Hunter S. Thompson and reinvent the game, but we can all at least write to an audience we'd love to respect us. And an audience that we'd like to respect, alike. The less quality that's become demanded of the writing community, the less i want that to be my audience. And for just how long can you whittle down the interested and interesting until it's all become chain-gangs of gossip and gasplines that are accentuated with exclamation points?

new project.

2011-05-19T14:24:00.003-04:00

here's the new project i started.
if you know anyone interested, repost.
spread the word.

stevedoesp90x.blogspot.com

irrigation ditch wedding proposal.

2011-05-14T12:20:00.001-04:00

born: 5/13/11; 8:47a

blogger’s down.
that’s so strange.

there is a new project I’m going to be starting on once this weekend is over. it’s going to debut on a different blog which I can’t yet register. I’m pretty excited about it. seems like it’s going to be hilarious. it’ll be productive as well, once I can actually start getting a roll on it. but knowing my attitude on the subject, it’s going to remain extremely funny (at least to myself) for a good amount of time. my main issue with the progress of the project will be that I tend to have little to no consistency in long term projects. and while this won’t be solely a writing project, I’m depending on some kind of inner inspiration and drive to keep this one going. it seems that it’s going to be drawing some energy of my two favorite mediums as of right now to inspire the theme. enough vague tapping. I’ll be revealing it as soon as I’m able.

i woke up in the midst of the thickest pool of REM sleep extract around 4:14 this morning. I reached for the dream journal, but i instantly started feeling the phantoms scattering towards the seams of the walls. I backed off. laid back down, started swimming through it. it felt like a good trip on the verge of going bad. the way the capes of the bottoms of your friends’ shirts start to turn from jellyfish to leeches. I felt it turning bad, way wrong. from a spring sticking out in my atrocious temper [wow. I forgot the word I need.] temporary [how does that happen] bed. let me retype. --- from a spring sticking out in my atrocious temporary bed, one of my ribs fell asleep, so I had that odd numbsparkle feeling in my side. what the whispers said is that there is now a hole in my system, all the excess spillage filling the skin of my gut, spreading necrosis. a piece of my brain is listening, reacting. pulse is rising, breathing is getting hasty. I’m watching this happen, patiently. I watch myself in the third person start to sing. some loud, operaface. and I step back slowly and I see I’m resting in, first, the husk of a dead snake, and then it turns into my rib cage, and I’m curled up in it like a bed of crescent moon. still singing. and I’m suddenly tasting what my mouth tastes like, getting nudged that it’s because I’m slipping into coma due to the death the insides are dealing. I push and push to sleep, letting the arms and hands of demons become a canopy.

i wrote my dreams down every night for over a year. whether in my phone, on this laptop, in a notebook. whatever the case was. I compiled them twice, passed them around. I started to notice though, that I would use this recollection of my dreams as a form of creative outlet. and while it seems to have a bit of help in getting the fingers moving every day, it does take a bit out of actual work that I am creating of my own accord. because, really, I can’t take credit for any of the dreams I catch. it’s just mindwar journalism. I want to take some of the visions and interactions I have under the veil and use it in fiction, or have it inspire me to reach out a bit. to communicate it a bit more in real time. I don’t see myself stopping the documenting, but I definitely see it as becoming more source material than standing on its own as a body of work.

also, this was a big deal to me.
http://www.nettserier.no/jellyvampire/1304892000/

disremeanor.

2011-05-12T12:48:00.000-04:00

the new world hasn't given us a chance at all.
waves, the giant innocent results of the moon and earth and orbits.
it's not that the planet is fighting back;
that'd mean it cared about us at all.
it didn't occur for us to document.
it would have happened had we never named the days after the myths,
it would have happened with or without these cities in place.

on inspiration.

2011-05-11T10:41:00.002-04:00

started talking to some friends about where our influences come from, and why we create the way that we create. looking at art, reading our writing, you can always see that there are various heroes voices coming through the cracks. we're not creating art in-character, and taking their voice and patching things together the way that we think they would. no, no way.

the best way that i can explain it for myself is through the way i found more strength in my poetic voice through hearing cedric's words in at the drive-in songs (later and more specifically, in mars volta tracks) and then reading burroughs' naked lunch. i didn't take any specific cues from them. i didn't see what kinds of words they took, i didn't follow their stanzas and replace syllables that fit. i found strength in their aesthetic. literally, and i've explained this several times to anyone who will listen, they made me feel okay to write the way i was writing. having a new voice is exciting, and innovative, but to be writing the way that i sometimes write and have no one able to understand it, to have comments like, "it just seems like you're throwing words at a board and seeing what sticks" is pummeling. so disheartening.

but when i got that form of acceptance through reading other people's art, to see abstractions that i have been drawn to, both internally and externally, it's like a new awakening. you keep going. you find your place. like being raised by wolves but happening onto a township of sympathizers.

but it's something inside of us that's arranged for inspiration both within and without. somehow during our creation as the person we are today, a decision was made within our hearts that we will find genius in various artistic aesthetics. whether it is raw realism, fully abstract perception, the old, the new, broken, rusted, minimalist... any of it. and when we have creative hands or voices, we are naturally drawn to that medium or that style. it's why we like the bands we like or the paintings we admire. even sentences spoken or sense of humor. it's what makes us laugh or shudder or dismiss.

if someone were forcing me to draw a still-life or photograph a portrait, i couldn't do it and be happy with it. i'd still see those products as flawed. no matter how high they ranked within that genre, they'd look the same to me. they feel fraudulent to me. as i'm sure masters in that genre would feel about things that i've loved, and things that i've created and had pride in.

i've found myself so uncomfortable in my own skin these todays,
want to pile my wardrobe in an oilfire.
i'm finding it so easy to ignore the tools of self-improvement.
shoveling spades of soil onto full-length mirrors.

le ciné.

2011-05-03T09:24:00.003-04:00

small pieces of light coming together.
if you forget what you're seeing, just trust the mathematics.
old picture houses with the red curtains dense with lead.
level two programmed reality: both picture and weight.
wittling and tensioning the taut-wire social,
knowing every man in every portrait.
serial numbered blood stains.
lines and lines (the queues) of visitation to dip your plume or splinter off.
light and splashed glitter in cubed galactic fuckmess.

some centuries old astral body generating out its last nitrogen masterpiece,
adapting and suiciding, novasploding in a musty staircase with peeling plasterwalls.
no longer a slave to probability, our agent, no, just a force eloping altogether.
disproving the proof that there is no ether,
cloaked in the guise of protoplasm.

crying eyes of a prostitute in a pig's arms catches him while she lays hopeless.
careless reverse cowboy; lazy je'taime, prayers and prayers for premature ejaculate
but it never comes.

agent passes namelessly.

the renounced whore and the supernova, one and one.

color as a mathematic act of man's observation.
otherwise, who'd know better.
off and on practice of a grand piano.
hammer to the tune of minimized bone.

numbered exposures.
the generalization of men acting illogically
in the presence of their spraying seed,
fathers developing negatives of their sons.
microphones descending on their lives to broadcast individual choices
to a God of Reasoned Audience.
applause and praise to answers from control centers.
canned approval sounds.

a theory of shooting men in self defense,
a definition to slower the distribution of men at war.
a seated theater of roulette enemies, religion of the drawn number.
in the balcony [N, NW] she stares on,
her number branded beneath the butterfly of her breasts,
her nakedness pure carnal and digital definition, a three pieced numeral,
her pure socratic formula to be extracted
by some earnest, inquisitive robin of a boy
who she will refuse and refuse until he turns away from her, defeated.
warded off by venetian masks.
silhouette fades as the police approach
while she complains of the haste of lust and the death of sensuality.
against the image of baton movement, she laments the piercing of his lightness.
with tender orbitals, she softens her vision on him, wipes out his entire race,
patterns of relief of all the sweetness he's ignored.
a million dead in the city, boarded up or no.

COLLIE.

2011-05-03T00:42:00.002-04:00

i began this in november as part of nanowrimo, and i was quasi-inspired, but i've gone back to it and can't really make head or tail of it. so here you go internet. ingest and antimatter.

-=-

i guess every time i heard a new record, i sort of expected it to be prepackaged for me the way i'd set everything up for myself when i'd made it for myself. that's not so much to say that i expected to like everything, but generally when i was younger, i saw that if something had come into my path, it came there for a reason. my friends and i, we were all the same: same classes, same teachers, mostly same crushes. here and there, we'd catch a magazine article to throw out there in some vague way, to get the others interested, so we could spread the mass appeal. and generally, if it didn't sit well with one of us, we'd all just give it up. unanimous, or nothing at all.

unanimous or tuesday.

another girl walked up and asked for a small, and i'm sitting there thinking about how it's too big for her, she probably has a boyfriend. or body issues. "you sure?" i hold up the shirt, all plantationed with fold. light blue, got some weird alien on it, i don't know what i was thinking. it was such a good idea when i started it.

"ten right?"

she hands me the twenty. another fucking twenty. go into the cash box, break out a five and five singles. running low on all sorts of small bills. but it's all good. we played an hour ago, there's no way we're selling anymore of these things. no tip, nothing in the jar. she walks away. doesn't matter that she's 15.

i miss my cat. i miss jerry o. i miss our shows at home. but it's always the same. i get something started, i get hyper motivated on it, half-ass it enough to blame it on excuses that i make up as i go. then here comes the band or a show or an out of state show, and there goes that. oh well. never gonna finish it.

is that me? no way.
i smell like that?
shit no.

what's up with these bands that we're playing in front of? not we per say. it's the four of those guys. but still, i see these locals who bring out the kids and it's all the same kinds of bands that make it big, the kinds of bands that show up late, load-in while we're breaking our shit down. gives you an utter distaste for the state of music and where we're at these days. makes you want to change it all up. drop music altogether, the solo projects, the side projects, the out of state shows, the flyering, the cold van rides.

"how much?"

“ten for a shirt, ten for a CD, one for a sticker, one for two buttons, three for a comp, twenty for all of the above.”

when she replies she only has a twenty, i say that’s perfect, she can grab it all. she only wants a shirt. i don’t have change. she says she’ll be right back. she never comes back. i should have shaved.

this is all unreal.
take me home.

alex comes over to me, eyes wide. “dude.”

“the worst.”

he holds up three fingers, mouths the words three, two, one, then pantomimes palm-muting and open chords. out of this hallway, and in the main catering area, 5 kids play your standard 4/4 breakdown. i bite my bottom lip, my eyebrows roll together, and shake my head: nonononono.

he’s brought me a beer, something gold and in a plastic cup. it’s cold and tastes like cold. “man. when are we leaving? oh, and i need change.” he gives me a fucked five and a couple of singles which are helixed together, saying keep it. i see that same girl that was just over here, the one with the straight black hair, perfect nose, and delia’s jeans, walking by in some other band’s t-shirt. i clap in her direction, loudly, three times in a row.

“give it another band, man. we aren’t doing anything tomorrow, who cares when we get home? the kids in crash court are kind of cool. we’re trying to work out a show trade, have them come out with us so we can get some shows back here.”

“crash court!”

“whatever, man. they’re cool. they’re doing it for the right reasons. i can totally see them hanging if they came through the area. and if our tour comes through here, we’ll totally need a place to stay.”

“so we’ll stay with crash. court.?”

“dick!”

an hour later, we’re packing it all up. alex and i are bringing his drums into the van, piece by awkward piece. i’m starving. these are the last pieces we’re putting in there, tetrissing it all up against other things, the cymbals making ugly sounds against the glass. i tap the bell on the top of his ride with my finger nail a couple times once it’s all inside. jayson and bauer are hanging up front, done with it all, just exhausted. they’re sitting in silence, bauer’s hands busy texting friends or his girlfriend back home, the glow making his face some monitortone. jayson is playing drums with the cap’n jazz record on the steering wheel, waiting for us to be done with the arrangement. “where’s jarrod at?!”

i picture him leaning up against some corkboard in the hall getting a number or some myspace/facebook information from some young little sceney incident that we won’t stop hearing about for months. his hair all leto’d and righteous, his smile taken out of some billboard ad for chewing gum. this fuckin’ guy. but sure enough, he comes running right back out to us through the dark, across the parking lot, keys and belt and whatever else jingling and flopping around. “ohhhhhh!!!” he says as he throws me a high-five. “what’s good now? just heading back? who’s around?”

“tina’s having people over but they’ll be gone by the time we get back. she said we could stop by but,” he starts to read the digitalogue to us slowly, “it might be like too late to do anything like worth it or whatever.” the words spaced apart that make this chick sound dumber than she actually is, which is a stretch to accomplish. sweetheart, though. gotta love her.

“fuck it dude. home. rolling a j, COD til the fuckin’ dickens dude. done.”

“how about you collie?”

i shrug, hands shoulder high. “gonna go home, gonna jerk off, and that’s all i’m gonna do.” i don’t wait for him to catch the reference. “nah man, i don’t know i’m just over this place man. bands were a joke dude. can’t believe you guys agreed to play here AGAIN.”

“here we go!”

“no, seriously! i’m serious! i’m serious! how could we drive four hours van slam-packed, out of the city through all of that traffic, get here, unload, play in front of fifteen kids, all of them too young to really understand what it is we’re really out here to accomplish...”

“yeah? and what are WE out here to accomplish, collie? what message are you trying to send?” bauer speaks up.

“...nothin’ man. nothin’.”

“fuckkk thaat. fuckkk thaat. listen, me and collie are getting in his car, driving back home. i’m taking it easy gonna finish up my own personal miike marathon week i’ve been having, you’re all totally welcome to come, got a couple drinks there waiting for me. tomorrow, practice at 4, then whatever. let’s do something good.”

“all about it. i love it. jarrod, drop me off at tina’s on the way back? bauer, you coming?”

“whatever, dude. i’ll come. whatever.”

alex throws some fists around the van, knuckles hitting knuckles in love. you can see the callouses on his hands. “gentlemen! get home safely!”

i throw up the peace sign while walking back to my car, quiet and brown, chilling and waiting for me.

alex jogs up next to me, laughing. “you didn’t take that personally, did you?”

“ahhh, not really, i don’t know. wasn’t ready for it i guess.”

“he was just fucking with you, man. kinda. i don’t know. maybe not. but i get it. just gotta let the kids do what they’re doing man. this isn’t like some kind of competition to get accepted into NASA. it’s music, dude. some people are gonna get it, and get buried in it, dude. face first, feet sticking out, just disappear in it. others, i mean, shit, people are just gonna wanna hang out around it. it doesn’t make it wrong, man. you can’t like music the right way or the wrong way. just take it easy, man. you’re gonna be that washed up, jaded merch guy forever aren’t you?”

i can’t believe how accurate that statement is. it terrifies me. and all i say is “psh.” air coming out of a deflated tire.

we listen to saves the day the entire way home, first through being cool three times through. barely audible. then he throws in a burnt copy of can’t slow down right before passing out.

i’m the dick.
oh my god.
i’m the dick.

--

i'm sitting at home. it's the afternoon and it's in the 50s, something cold enough to keep me from wanting to go out there. i'm eating what i guess you could call lunch. a hot pocket with some tortilla chips. i'm already thinking about heating up the second one.

they're all at practice. i thought it best not to show up after bauer's comment. such a shot in the dark. how long has he felt this way, how do the others feel about this, when did i get this distinction? was it just one comment?

i watch this guy ride by on a bike outside. tall, skinny, red scarf, brown hat, blue peacoat looking thing. guy probably talks big about the bands he loves because he has to, only sees obscure movies because that's what makes his little clique go around. i think of how he's probably headed to a record store to buy something to say someone's never heard of it before. maybe pick up a show flyer just in case any of the band's makes it big this way he can say he knew about it when.

there's nothing to do today. everything is organized. books are alpha'd, DVDs and blu-rays, CDs and vinyl are alpha'd. i could be going nuts on some new flyer layouts i have in my head, but i don't want to use the same images that i've been finding on the internet already. i have to make a trip to the library and get some good scans. i should do some research on what artists i'm looking for, or at least the type. i don't have a library card. i don't have mail from this address either. i think i need one to get a card for this location. what a wash.

i check the phone,
no new texts.
no missed calls.

"when're you fags done? ollie's tonight?"

i stare at the text for fifteen seconds after i type it, try to figure out something else to throw in to make the invite more appealing. fuck it, i send it.

i take a shower, thinking the entire time about the process of godhead deciding they want to cover the beatles' eleanor rigby. which band member came up with the idea. how they decided to create the backdrop for the song which was essentially completely devoid of what made the song so distinct. they kept the hook, they kept the vocal fixtures. i would love to see mccartney's reaction to it. i'm sure he's heard it, actually. what a moment that must have been. i'd love to see godhead, all dressed up in their goth splendor, walking up to paul's house with a single CD meant for sitting down in a parlor in front of a living legend, one of the last remaining beatles, and playing that song for him.

thinking the band, godhead, saying, "aw, yeah the beatles are great. they inspire everything we've done."

the beatles are overrated.

no text back when i get out. i throw on the good the bad and the ugly to pass the time. just picked it up on blu-ray. the remastering is fine, but it doesn't match up to what HD or blu-ray should really be. still a fantastic movie no less. eastwood kills it.

it's 4:30.

i play madden against some kid online who's unbearably cheap. he uses the colts so i knew i'd lose from the start. i send him a voice message saying i would have beat him if he played the game right. he sent something back but didn't listen. deleted.

i sit in front of my computer, and open up firefox. ready to roll through some of the band's blog updates. talk a little about last night. i go through a few of my google reader articles. things about bugs that don't dance the way the bugs before them used to dance. things about the way the white house was built. something about a new sci-fi shooter. a video with a dog. i don't care about any of it, really, once i'm done reading about it. it'd be interesting if i could carry some of it with me when i got out of the room. my biggest contribution to conversations of the obscure is often "oh yeah, i heard of that." i have the info to turn that around, but what's the point.

i got my mind on better things.

let me check facebook real quick, i want to see if anyone commented on that picture. while i'm on there i can actually upload a couple of pictures that were sent to the band's e-mail address last night after the show while we were driving home. oh my god, i can't believe charlie's status update is literally talking about election day like it's something important.

"we can already get married. leave the voting to the gays!"

people are definitely gonna dig that. awesome.

after hitting "older posts" a few times, i can't even remember what i came on here to do. it's 7:15?! what?! where did my day go?

what was i looking to do on here, anyway?

i've been complaining about not having enough time to read too much lately. let me jump back into the garland. i'll figure it out.

11:30 comes by.
no call. no text.
no one likes my facebook comment.

--

i woke up at 6:30. alarm's set for 7.
fuck it, i'll get up.

no text.
no call.
no one likes my facebook comment.

new e-mail from amazon.com, borders.com, gamestop.com, miso.

turn off the alarm, shower, dress, warm up the car.
still have can't slow down on in the car.

it picks up midway through three miles down. "letting it rain for hours" conley skipsays. i heard this guy was gay. what ever happened to that? whatever, i hope he's happy. for all the stuff the guy's band has been through, all the lineup changes, he still remains a legend. i still buy records after stay what you are came out even though they've all kind of sucked. all these feelings he's singing about, whether it's for a guy or a girl, for himself, for some extraterrestrial, so be it. guy has these legitimate tears lined up forever.

unbelievable how inefficient most of these drivers on the road are.

pull in, same parking spot every day. got an hour to open. i know at least one person's going to knock on the door instead of dropping their video through the slot. always a question, always an excuse. fat beth closed like shit last night. spend about fifteen minutes making up for her mistakes, count in, all set up. leave to go get coffee next door, and our first windowknocker is standing there as i'm walking out.

"hey, this is a day late..."

"yeah, sorry. unfortunately if it's not back by midnight last night, there's nothing we can do about it."

"that's okay, we fell asleep last night watching it."

"did it suck?"

"it wasn't BAD. not what i expected though."

"...happens."

wordless, she drops the movie in the slot. i think about it sloppily laying in the bin. i have to put it back when i get back after i just made everything perfect. as she drives off, we meet eyes through her passenger window. what does she want from me? i raise my hand in what looks like one of those native american "HOW" motions, which could mean bye, or thank you, or acknowledged, or stop, or even HOW.

coffee, back to work, put the movie away (which was a romantic comedy SEQUEL; what did she EXPECT?), and unlocked the doors to another fantastic day. the owner, brian, came in around noon, i told him all about beth's close. he said it was fine, he'll talk to her about it.

i think about godhead talking to her about it. in a parlor. with eleanor rigby playing in the background.

--

i tried sleep but it doesn't work. at this point, i'll usually think of some event far off that is tedious and meaningless and mechanical, like sowing a field or counting fiber. i'll try to mentally recreate some painted image, and find brushstrokes to even the sky out. i'll do whatever it takes to calm the hum of restlessness.

what usually holds up the works is thinking about some girl or two that got away, or some new set of friends that i let down. this time, it felt kind of like both. were the guys leaving me? what was i doing wrong?

i can't learn guitar, my fingers are too small. you can't write songs as a bassist. my voice isn't a good singing voice. keyboards take a lot of training. it's not my fault i'm not in the band.

i've found a piece of my friends that i want to nurture and for it to become something of its own organic merit. i want to support it and make it real for them. what others here, those other guys who don't know us, they hear the songs, the result of a family unit. all the hours of the day, all the small talk and small journeys that are actually endless processions formulated down to three minutes and thirty seconds. the passionless turn the page, they skip the track. pick up the needle.

pick up the needle, lay it on the shelf.
this room needs work. i have visions, i just need canvases.

quiet phone for two days straight now. i feel sick thinking about it.

it rained tonight, i must have missed it. the cars pass by, they sound more gravelly. i hear tiny wakes.

there are a lot of things that are going okay, but nothing's going well. i should focus on one thing at a time, and dominate each of those endeavors like milestones. i should be working on something always, full of answers, full of a fire that attracts and repels. i should possess a mantra in my comings and goings. there should be The Work and the background.

i have work tomorrow.
i'll think more about it then.
shit.
i work with brian.

i'll take more notes afterwards.
once i watch what the DVR records.

curdwallow.

2011-04-29T01:10:00.005-04:00

i'm once again situated with my family in the house i grew up in and it is a miserable, miserable place. unfortunate that it's come to that point, a place that's become stagnant and void of all progress, most happiness, and any level of generated energy or life. it's something of a shock to me that things can grow this stale almost right under my nose. watching this reveal blossom directly in front of me, i'm sort of curious how long it takes before you get to the point where you are not content with where you are, what you're doing, the people you're around, but you insist on allowing it to go unchanged. i see these people, my family, as only people. i don't see the unit looking after one another, loving each other, coexisting in a synchronized harmony. i see something of what i see in the everyday lives of the people i assist at work, at a black and white retail job. seems to be a lot of standing in line, arriving home until you leave, settling into nighttime television until you're no longer conscious.

i'm not out crusading, but i'm hungry.
i have people i want to see.
little stories i'm trying to keep up with,
fictional or not.

i've been fully moved out of brooklyn for about 31 hours. i've slept a night here, completely moved in. and i'm already itching. gotta go, gotta get out. it's making my eyes itchy, making my skin tweak. i already feel gravity bottoming out. it's a little terrifying. i feel like i'm being grown over by little bits of bark. like there are whispers in the little nooks down intriguing hallways and i'm getting a little deeper every trip, with fewer and fewer breadcrumbs.

it's all an illusion, obviously. there's no giving up. it's a sham.
aiming for june first. kind of want to go back to brooklyn. i watched beetle and dave debating about it mildly right before we left his apartment last week. and i started thinking about the reasons i'd want to be back out there, and i guess the number one reason i'd have to cite is that i loved it out there, because of how many rules of chaos applied out there, and how open the damn place was to possibility. i think about coming back out here, too. and being close to friends and work. and that's alright too, i guess. i didn't even give brooklyn all that much of a chance, either. and i want more of it, genuinely do. i want to work out there, somewhere out of retail. but regardless, i do want to live out there, or be out there as often as possible. i realized, too, that i'd been out there for more time than i was even in miami. and, that's a little odd. miami felt like an eternity. but it was just about 11.6 months. something like may through april. -- i've got about a month to get it figured out. i'll be alright.

hit a massive wall, creatively. i think it's just one of those weird moments of having no concept of where to direct the spotlight, what emotions to convey or capture. there's really no She who is gathering all of my butterfly thoughts in massive nets and making me breathe in gaping arcs of palpitation. i still remain focused on ensuring that all of my people are continuing to create at their sharpest, and never quitting for anything. dave was featured on the tattooed poets blog, brian has been churning out short stories here and there, beetle got the spiegel deal going, anthony always has something kinetic happening, musically. if nothing else, i want to keep them moving. keep that going. if i'm not personally churning something out that i believe in, i want to at least be midwifing.

i want to at least be midwifing.
i want. to at least. be midwifing.
christ.

good news, though, i have always written my best correspondence from this house or at the starbucks down the block.

i've got some faith it'll play out.

as you were saying.

2011-04-01T16:26:00.002-04:00

in response to,
and to bolster
a friend's earlier bradbury post.

post-war fundamentalism.

2011-03-24T09:54:00.004-04:00

never in physical action had i discovered
the chilling satisfaction of words.
never in words had i experienced the hot darkness of action.
somewhere there must be a higher principle
which reconciles art and action.
- mishima

a fall weekday, 3-4:30p.

2011-03-23T11:07:00.003-04:00

(also purchased three records today:
horseback's impale golden horn,
sailors with wax wings' self titled, &
grails' deep politics.)
[droneisin]

kihlsuhn.

2011-03-22T16:53:00.004-04:00

i took a chance on a new artist earlier today based solely on the photograph provided to advertise the upcoming show. the photo is not the one above. silje nes is categorized as "electronic" but i can't really see the commitment to that particular genre, though it's rare that labels fully make sense anymore. pretty happy with the purchase, definitely suits a need for the melancholy, background skyrocket of particular writing days. you can check out a track from the record opticks over here. i find that without taking risks on a lot of bands going forward, i'm not going to find anything new or interesting worth hunting for.

also, i randomly did 10 clicks on the randomized "next blog" train on blogger. here's what i found:

- poems by a priest.
- a family blog
- a christian watching her child grow up
- a spiritual journey by a pastor
- QUOTE. life iz whaz up... END QUOTE. for real. but another christian blog.
- a christian blog by a priest/fireman
- a christian blog
- a family's travel log, wherein they move to argentina... to found a church
- INTERNATIONAL JOURNAL OF THE CREATIVE ARTS IN INTERDISCIPLINARY PRACTICE ADVISORY BOARD
- and what seems like a minimalist blog by a minimalist woman writing in her own corner of the web for little to no reason. a post, in full, goes as follows:

So Ray is now recovering from a broken rib in his back, which punctured his lung in an unfortunate altercation(scuffle) with a patio table. I think Ray won,as the table is a goner and Ray is still alive to tell his side of the story. He's in pain but the doc gave him some good painkillers so he'll at least sleep lots while he's waiting to heal.There goes golf season.

it's always interesting to see who else is out there. am i doing it right. is there a point to blogging vs. webmastering. should i start separate blogs for separate themes. are there hypotheses i'm solving for in every post. so on and so forth. i have literally been blogging since before it was blogging sometime in the ninth grade, keeping an almost daily account of what i was up to, to then breaking down stuff going on in classes, to a college breakdown, to a music blog, to a full music website, and then pretty much back around to this. i get curious what makes me think something is worth sharing, or not sharing. where the filter lies, where the eager sharing voice speaks up.

i wonder how someone finding my blog on a random Next Blog clicking spree would describe my blog in a 4-8 word summary splatter. and would they read through just a piece or a month or a page? would they ever come back? what validates something like that? what am i looking for?

intentional massive.

2011-03-16T15:12:00.003-04:00

above is a letter from bruce lee. it reads as follows:

I, Bruce Lee, will be the first highest paid Oriental super star in the United States. In return I will give the most exciting performances and render the best of quality in the capacity of an actor. Starting 1970 I will achieve world fame and from then onward till the end of 1980 I will have in my possession $10,000,000. I will live the way I please and achieve inner harmony and happiness.

that is how you set a fucking goal. i think currently, i have no goals or end points. no directed ambition, no target, no vaulting point. it's something i feel like i might have to start aligning myself with. i've essentially set some personal pieces of improvement i'd like to hit, and some general morals and values i'd like to stick by regularly. but there's nothing i'm aiming for, nothing that calls me back to the track. the last thing i can think of that was a set goal was the nanowrimo writing goal, and i fell off pretty quickly with it. i think setting and sticking to goals is something that ends up being a learned behavior as opposed to something you can just set for yourself and expect to follow. if everything becomes a plan, if everything becomes goal-oriented, i think you start to do your own microtracking, your own follow-ups on yourself.

if i wanted to lose thirty pounds in three months, i couldn't just set it and expect for it to all wind up okay because i've set it up in such a way. i wouldn't realize, at first, that if i didn't lose ten pounds by one month, i'd have to realign my plan to accelerate in the next. it's just a cloud goal i'd have, and by trying to make it all happen by the end date, the whole process would become a maelstrom of trying too hard or giving up altogether.

so when i say i'd like to have one writing project finished a month, i'm not going to be good at coaching myself, at maintaining the course, and doing the small check-ups that i'll have to do to ensure it all works out. and i think i'd like to get more into that practice, or at the very least, start HAVING a goal to aim towards so i can relate to a failure/success paradigm.

also.
shows coming up:
- omar rodriguez lopez on march 29.
- sidefires april 7.
- fairweather reunion on may 14th. [possibly most important show of my life thus far]
- portugal. the man on june 3rd.
- earth on june 16th.

and, um.
to kind of wrap this all up, here's a majorly appropos video.

a new beginning for ecosystems.

2011-03-14T01:23:00.003-04:00

this is the most informative and the video that translated the situation to me most accurately. i've seen most of the others. this one actually has those moments of "i was JUST standing there" that have been time lapsed or more pulled back in other videos. this one screams authenticity.

volume, and damn the siren.

topographic analysis.

2011-03-12T00:25:00.004-05:00

that
is
all.

urkenheuim hotel.

2011-03-10T14:59:00.002-05:00

for the first time in what seems like years, but could just be months, i've been able to take multiple days off and call it a 'vacation'. i've known about it for a while, but didn't book a trip anywhere. there were a few concepts i'd had but one of them is nothing but brash begging for disappointment, one was something i'd wanted to save for a friend and i which didn't work out, and the last requires a car for multiple days, something i'm not currently able to acquire. so it's just me and the world here, brooklyn and long island. all the missed and ignored media i've had for months. some writing i've done. some thought lines to unravel. performing, essentially, what the body does during sleep. the kind of maintenance that requires little effort but sets all the pieces into regiments. defragging.

the first day of my 'vacation', though, saw me at a hospital for a decent portion of the day as my mother was having some respiratory issues. she's a heavy smoker, super serious about the addiction, really fairly major part of her character, and it's starting to catch up to her. it's sad to watch all the things you hear about in books and commercials and television and knowledge in general being acted out directly in front of you as opposed to diagnoses and diagrams and stock footage. while she was in with the doctors getting a ton of tests and what not, she told me i could take her car and go do something else, go home, etc.

i went record shopping. picked up the new lupe fiasco, the new get up kids, radiohead's kid a, minus the bear's omni, a record by sunn0))), and liquid swords by GZA. sick pull. a week prior i'd picked up this is hell's weight of the world, the new earth record, glos' harmonium and the recently disbanded depreciation guild's spirit youth. i think i posted last week about wanting to have a collection to be proud of, etc. i guess that's something that constantly changes with your taste and your growth, but these records all seem to be solid solid pulls. i have two boxes of CDs that i have to go through to see what are actually pieces i still want in there. needless to say, i spent a ton of time with all of those. the new lupe record, lasers, is going to be massive. i'm trying to get as many plays through it as i can before it becomes ubiquitous. though lately, i'm very much barred from all of the outside influence. it took me a couple weeks of listening to kanye's track "monster" before someone told me that the single had been played to death. good news, i guess? i'm also starting to take bands a lot less for granted. where at one point, when i'd see a band taking off, i used to kiss them goodbye, sort of like a minor league manager would shake hands with an upcoming ace, knowing full well he'd never be through the system again. now i know i have to see them as much as possible, appreciate them as largely as i can before they disappear. it's becoming almost an epidemic, bands who are doing the right thing, pushing boundaries or at the very least steeping themselves deeply in quality ideas and influences, deciding to call it quits after all of their invested time doesn't yield the same kinds of rewards that they used to. the underground is almost nonexistant. all indie means is it's not completely massive yet. it's a weird industry. but braid has reunited, is doing their thing again and i'm very excited to catch them a few times in their second wind. same with the get up kids, and even glassjaw. important bands are answering the absence. that can't be all, though. can't have the same old stuff on repeat. classics are and always will be classics, waiting on a shelf or on a harddrive for us. but it needs to stay fresh. there needs to be progress. and with lupe's record, i feel that. there's a little more digging that has to occur. but i'm willing to do it. eyes on the liner notes. hungry, always. internet wise, i just saw a new youtube trailer for the lead singer from misery signals' new project called solace which sounds incredible. and the guy who did the song "black and yellow", wiz khalifa has a pretty dope mix tape called kush & orange juice which is somewhat viral right now. with all of my free time, i've had the chance to check it ALL out, in depth, give it solid listens. give it the respect it deserves. very excited. even rediscovered a band called sweek that does the whole russian circles/explosions in the sky thing rather well. their record the unbelievable cinematic crash from '05 is legit!

watched a decent amount of movies as well, so far. mala noche by van sant, mister foe with jamie bell and i just rented four lions, a movie from britain that actually satirizes terrorism. i remember seeing the trailer a while back and it looked great.

finished reading fahrenheit 451, and completed both little big planet 2 and killzone 3.

also, will be printing copies of MMX: THE MOLESKINES starting tomorrow.

off 'til monday.
stoked.

of the earth.

2011-03-04T20:25:00.003-05:00

wow. i only needed to see this photograph to need more, but this guy's story (myth or no) seems to be something that makes me want to be a floating phantom on his shoulder. in the introductory piece to the link i'm going to provide, it gave me these morsels of information, all of them more eye expanding than the last:

- he wore a suit made from leather boots he FOUND
- he slept in caves
- his race/origin is unknown, but portuguese or "black" has not been ruled out
- he was driven mad by either economic ruin or a broken heart or both

gold. i see titans of the street like this on a fairly regular basis during my commute. and there's something about sitting down and talking to them that gives me the vibe that i will take something from it, not valuable in any way other than rich, possifiction. because who knows. regardless of what may run rampant in my imagination, half of what these guys have seen or thought because of what they've seen, is probably just as good, if not better.

more:
“If there’s any place left where you can keep your secrets, with the Internet and everything out there, it should be your bones.”

slow to standing.

2011-03-02T15:03:00.002-05:00

challenge yourself. it's something that we'd all put on a coffee mug if we could, sitting at our little dinette in our little apartment, something that we could look at and feel good about, just because we've seen it, and bought the mug, and think that way a little bit, and admire it, and quasi believe it. but really, there's a kind of fatalistic fire that i've been engulfed by over the course of the last few months as i've been staring around at me across the people who i know are capable of massive things and massive thought who are just sitting on it, and pouring the contents of their mugs into their stomach and going to work. and then we go to work. and it's very serious. and we get home. and put together little parties for ourself until we have to get up tomorrow and restring the puppets.

i have been the Messenger of the Great Excuse on a fairly constant basis. justine called me out on it in a pretty sterile moment in front of dan smith, something about me completely stopping my creative process while we were together. getting home, watching tv, accomplishing nothing. filling the mug. dave called me out on it i think it was during the onslaught of birthday facebook wall posts with something like, "here's to all of the projects that we should have started but have never finished" or something along those lines. i am fully accountable for that entire process. and in the last year, i've "put out" some things i've been proud of, stayed motivated and active, and have continued to build this kinetic force of building hands that i am a bit addicted to. not entirely looking for fame or infamy because i'd eventually fuck that up too. just want to leave behind a library to validate my existence and to chronicle the things i've thought and felt and been able to spawn. even if just amidst friends. to let them know that the possibility is there.

there are a few things that gripped the lower wrungs of my ribcage in this year in particular that didn't hurt or kill me or injure me, but they definitely had me full on by my entire frame and showed me a few things i might have been meant for or against.

my grandmother died in january, and to be honest, it's not even a matter of losing a human being who i'd had a history with. she was a woman related to me and a lot of the older pieces of my family have stories about her, but for my little branch of the family, it meant nothing. she gave birth to my father and walked away. his sisters and brother raised him in her household while she kind of watched from the outside. as i grew older and understood what kinds of implications that had on his entire life, and related a lot of the stories and events i had been present for and grasped the weight of, i started to realize that i had no built-in commitment to this person. i kind of allowed a lot of my contextual obligations to fall off and started to react accordingly. and i'm at where i'm at now, where out of respect for the family members i do honor, i made myself present at the first ever funeral i've ever been to. and i wasn't just that 29 year old oddity standing on the outskirts, i definitely approached people i haven't seen in a long time, paid my respects, engaged them in conversations about their lives, the particular context and so on. aortal bookkeeping, on some level. but in that room, i started to get a massive grip on mortality. not the idea, so much, that i was eventually going to die and would no longer get to do the things that i wanted to do or experience, but moreso that i would never get to allow the people around me to really know how i felt about them. and really, that's the kind of memories that i want to pass on to others. sheer validation. the concept that i've noticed what they're attempting, that they were appreciated, that they're beautiful in all the ways they had anything to do with. they're white hot intelligent when they went for it. that i recognize that they went for it. things of that nature. i want everyone to know their fullest potential, and i'll do whatever i can to bring them to it. i want to be the one holding back the sheet metal until the last fucking second while everyone's slipping underneath, moving forward, surviving on, against an oncoming horde or inferno. i want to make sure they're all going to make it.

i have personally always written letters or stories or put things out expecting a response. even just last night, when i was talking about the whole new stand-up comedy endeavor i'm going to start to approach soon, i guess i was sort of hoping someone would say, "i agree with your attempt. it resonates to me. i have high hopes in your endeavor." but i have never received the kind of echo that i'd hope to get. i can only do the best thing i can with what i've got. and if i'm going to try anything, i'm going to do it based on my own reaction to it. if i feel that it's shit, it's shit. and i'll create again, and improve. and again and again. bigger and sharper. carved up and more beautiful. irrefutable. i want it always to be something i'm proud of. i want it to be done because it's done and what i wanted and not because i had to. i'm seeing so many more opportunities out there, and not just things to be looked at and held up against. everything is interactive and small. and hilarious. there is no good day for anything to happen, no right moment. sometimes you just have to sit next to the fat guy on the bus. this is what's happening. i've always waited for the formula to solve itself and calmly insert the variable and have it smoothly coagulate. always. i'm exhausted with the waiting for the lead up, and the pause in a conversation for myself to insert what i'd been waiting a week to say. it's 2:45 in the afternoon and i think you're beautiful. you just might enjoy something i've got.

and last night, for the first time in what feels like a year, myself, dave, brian, and anthony were together in a quiet room in our own space, sharing these massive thoughts and concepts and ideas. we were starting with catching up, but actually spoke on and on about different themes and issues and so on and it's something that was completely unreal. the group of friends i've known has always existed just behind the doors for me. and it actually made me really sad to see that it's still in tact, it still exists, it's still a reality. but we've all kind of shut the doors a bit. it made me feel that every single one of my friends is too busy to pick up the phone to hear something i've got in store for them. i was told, "that's just how it goes, i guess." but i can't agree to it. i refuse to. i have a social life. i have a job that i work, and it's not some part time gig. i don't shirk responsibility or chores or requests or my cat or hygiene. i have the same amount of time in every day that every one else has to deal with. and i still have the time to put together these dream journals, the poem, the mix cd, to handwrite the tracklistings, to copy the stuff i'm handing out, to cut and compile it, and to keep working on more. to ingest films and records and to feel a way about them. i guess it kind of made me wonder about what i might be doing wrong, what i might be leaving out that everyone else is keeping in. i want to reflect things off of these people and build massive temples of light. but i end up feeling like that six year old neighbor knocking on the door to look at your baseball cards. again.

i wrote her a letter.
i compared you to her.
you will never hear your name.

bonita.

2011-02-28T20:17:00.001-05:00

sometimes i wish i could put my head back against a surface and roll my eyes back really slowly and softly, like some kind of ocular trance condition. I'd groan deeply and gutteral like, almost animal in origin. the foam will pull and lull out of my mouth through gritted and tired teeth, and a slow machine of gyration would work through my chest cavity like some voodoo priestess shaking bone pouches to ward off a tribal war. I wish upon this action, i could reach out to all the ones i love, and all the ones who have seen the mind I've exposed to them, and they would know to listen, and deeply. and when i was collected there in my seat, knuckles now perched in a vulture's gnarl, i would transmit the audio around me, so rich in humanity, and pure untainted comedy. there are things that need to be heard. things that make me regret ever seeing them, because they are being seen alone.

"it was just a reg'lah day. juss a reg'lah day. I didn't feel no way, no body bought me nothin, nobody call me or nothin, it was juss a reg'lah day.

juss a reg'lah. day."

a poem.

I miss all of you.
I'll go foamy for you.

limbs to pompei.

2011-02-26T22:04:00.003-05:00

so much has changed. it used to be that brooklyn was a novel concept. and for a while, it was this different type of place that was living up to all that it used to sound like. tons of weird folk, artist folk, who were into their own little things. i spent a lot of time at home, and then commuting to work with a car. drove everywhere, passed so many things as lane segmentors. these weren't locations, they were set pieces. as the summer starting waning, i began to walk a bit more, getting the slow realization that the sun would be disappearing soon. walking place to place made me start to take in so many more places. i think i learned more about the area i live in in a month or two of walking from point A to point everywhere than i did in the months that i did driving. and now that i'm without a car and i'm relying completely on the transit system, nothing seems too far, nothing seems out of reach. even things that are so close, down the block/around the block/under the block, it's all fully tangible. this place is meant for change, meant for me. so many options out here. and it looks like for now, i'm going to have to be taking it on alone. that's fine. because i know i don't want to leave. i know i want to stay out here. and the only thing i'm missing is my crew. the kind of love and respect and energy that comes from my people out on the island. i love this place and i'm hoping we stay right here. and i do plan on taking my opportunity a lot less for granted. this is the kind of place that a person like me can gel. let's do it. we out for the gusto, man. we tryin' to keep it raw.

also, for the time being, i've lost my entire music collection. wait. not really. kinda. see, i had it all on an external hard drive which was destroyed physically. but luckily just before that, i'd put everything onto an ipod which i had been using as my library. which, by the very same individual, is now wiped as well. so i'm now separated off into my own CD collection which i have to re-rip and relocate. it's all separated and in many different places since i moved out here. so i bought a bunch of CDs online the other day, something i haven't done in quite some time. mostly because i started to take that whole process for granted. the physical copy is such a requirement for me. the collection, the display, all of it. the last two places i've lived, i haven't gone too over the top with it. it's been very much an afterthought. but once we figure out where we're going to be in a month or two, i'm going to ensure that i have my CDs, DVDs and books displayed with respect. and i'll need a writing desk as well. and that portion, i don't care if it's some dismantled lumber pile arranged and attached with staples and paper clips. as long as it's something i can arrange myself in and be able to lean forward onto it at the ideal height and writing angle.

gotta gotta.
yeah.
just gotta gotta.

a body duct.

2011-02-26T10:53:00.001-05:00

Babylon line. Departs Jamaica, 10:35a.

A woman behind me is talking about how she doesn't believe in christianity anymore. Comparing it all to oprah. Her mouth is outrageously full with food. And that she's going to be practicing buddha. Asking "where is that being a good god?" And as she's trying to figure out all of this stuff, she starts to stray off into a story about her husband or someone who spent time with her, got his citizen papers and now wants to bounce. Great! Priceless! And her mouth is so filled with whatever it is she's eating that i can't understand what she's saying 2 feet from her, let alone what this other person must be hearing across trainsound and cell phone clusternoise. She just asked what sign is he. Cool, that's great. "Let it be natural" she says. Ohhhh and she just brought up getting a divorce! And alimony. And!!!! She just said she's not sure how it's going to work, because you have to swear to god, but she swears to buddha. And since... she... I'm in love... since she is now buddhist, she will sleep better and think easier. And her spots in her skin are going away. Breast exam. Health plan. Yaddayadda. And her husband calls her on the call waiting. And oh god, she switches the line. And she's on the phone with him now. And when he was down and out, she made him go to "doctor school or whatever." And no, he doesn't understand. Not at all. It's not fair. And he's forgotten all the good that she's encouraged him to do. What does he mean by she's so emotional, asked 5 times successively. His name is luka. Loocha? Lukuh? Loo-ka. Silence, going on 3 minutes. And. He's hungup on her! The crowd. Goes. Wild.

cold webbing.

2011-01-27T16:47:00.002-05:00

i was unbelievably afloat for about two hours today while commuting home and then resting when i returned to the apartment today. too much caffeine. far too much caffeine. the kind that made me feel boiled over and living weeks throughout my single moment to moment passing. i'm now out of the spell, but feeling bombed out and starry eyed, and begging for the effects to return. i get there sometimes. it spurns on creation unbelievable. i am massively inspired by just those golden moments, the ones where you're electrifying all of those points you'd wanted to comment about and the miracles you want to portrait onto maps and canvases. there's a demon who leads me back, though. one to escort me over the threshold i'd gone through.

i've made a new commitment for this year, and i can only thank my unbelievable crew of friends who are artists or who aren't. some of us create, some of us build, some of us charge onwards just for the sake of the forward momentum's existence.

for me, one of the funniest things on earth and in humanity is the act of taking one's self too seriously. however. it seems that most times when i'm pushing myself to be as confessional as possible, as earnest and pure as i can, i am taking myself more seriously than most people i interact with on a regular basis. i find myself blindtyping, not looking at any of the words coming out, not thinking or reconsidering or editing, and i feel alight with profundity and inertia. then i stop, if only for a second, and i look at what i've written, think about what i'm saying, think about my standards, think about those reading it, and i want to go back and dash it all away, ruin it, spit on it, mock it, spoof it, parody it... it's a fucked existence. not that i'm at all tortured. i've definitely started finding an okay meeting place between the two, and i think i've become aware at how hypocritical a lot of it can seem when i come down to being my most judgmental. i'm trying to keep present in that going forward, and i feel like it's my biggest opportunity to grow from.

really, there are few people i surround myself with who would oppose to me writing and being open as i am... and also few people who are in my circle who would be disappointed at me keeping even just a few of my judgments to myself.

no poet and no artist who has ever created something true and pure has ever stopped themselves because they felt it's coming across as too genuine or too honest. and anyone who's ever said anything to that extent about another's work is just another step outside of the kind of person who art has ever been created for or spoken to.

let's be this, all of you.

over here.

2010-12-21T09:12:00.002-05:00

three star wars reimaginations from olly moss. outstanding.

alphionics.

2010-12-09T12:34:00.001-05:00

fan.

click for more.

CHRONO-CUBISM.

i'm a resident.

2010-11-20T00:26:00.000-05:00

so this guy went to haiti for zombies. it's something you'd think sounds one hundred percent absurd, unless you've read serpent and the rainbow, which... hold on... doesn't necessarily SOUND BELIEVABLE or PROVE zombies, but it's weird enough and has enough things that [appear to be] facts (especially before the age of irony) that it warrants some thought. at the very least for the pharmacology of it. and yeah, the whole haiti/voodoo zombie is only a bit of an inspiration for the romero zombie.

right?

regardless, zombies have had a huge influence on a lot of people i respect. i have always been intrigued by the dark piece of WHERE and WHAT zombies imply, which is a state of complete chaos, complete 0. post-apocalypse is one way to describe it on a worldly level, but anything, any moment of complete classlessness, complete need to survive based on your skill, your rationale... a grand leveler, and an absolute reset: this is the place that, regardless of source, regardless of cause, and especially regardless of scale, i feel you can really see self-empowerment and the rise of passionate, motivated individuals. right, but be that as it may, zombies have always been a massive subgenre of that setting. pieces like the 28 X Later series, The Walking Dead, Resident Evil, so on and so forth. there's just been something about all zombie fiction that no matter how horrible all of the inbetweens are, if i see something that claims zombies are involved, i at least have to give it a shot. which is what brought me here.

the host, Hamilton apparently, is cool. seems like he knows how to host a show. his voice gets a little obnoxious when he's narrating things for too long at a time or if he starts pronouncing things with the "OH MY GAWWWWD" drawl, but he's pretty funny, keeps it light. my favorite part, honestly, was seeing literally how serious the haitians took this stuff. just as a culture, how much they engulfed themselves in that culture. which is odd, considering when i see those in the more "western religions" get this passionately involved,i call the same dedication ridiculous. but yeah, for that reason MORESO than the zombie portion of that, it ended up seeing. the ceremony towards the beginning? worth it. the reveal of a zombie later on (through the pink door)? ALSO. TOTALLY WORTH IT. it's a little more than an hour long, so it's heavier than a quick youtube toss, but with the interest there and with the right kind of night (i had it bookmarked for about three weeks to a month or so?) it could be a good sit-down.

you learn a bit about puffer fish ingestion too. and they also mention things about scopolamine, something i've linked to a documentary about on this blog (maybe somewhere else?) which is essentially a drug that somewhat hypnotizes the user for hours at a time.

berlin.

2010-11-19T22:40:00.002-05:00

been a fan of band of horses since i heard them on the zune that was in the first gamestop i worked in. i think they had two songs on the preloaded playlist which was a major distinction of the time. i had "everything all the time" downloaded, but purchased "cease to begin" and that really cemented the deal for me. i'm a fleeting fan, i don't pump them that hard, i don't really know the lyrics or the songs from to back, but i am a big fan of what they do. very very reminiscent of the shins. haven't heard their new record "infinite arms" yet. i wanted to bring this up many months ago (i'm guessing by the comments i'm linking to in may). this particular radio interview i was listening to really inspired me in such an unbelievably positive way. just the outlook, the stance, the gracious manner in which they presented themselves. i remember having this conversation with at the very least beetle, but it definitely might sound familiar to a couple others when i bring it up to them. i finally thought to look it up and have it embedded, and i realized that really, when listening to it, there's no sort of philosophy or suggested level of thought or approach that they go forward with. it's just, and i hate to say this, but the energy they're putting out there that's so believable. so genuine. and it was something, a moment, where really, i would really be happy to come across half as grateful, precise and crystalline as they are.

starts @ 6:20.
live performance of 'no one's gonna love you' @ 14:01.

shit.

2010-11-19T18:57:00.000-05:00

idle chatting.

2010-11-15T03:14:00.003-05:00

there's been a fury of positive energy, up from the hoarding cortex mostly, and it's been stored away for just a time as this season, the days when it gets dark early and obviously, the days when it isn't just cold by kelvin or celcius but by physiology. a time last year when i was downing what the doctors gave me with devices much frowned upon by the labels and status quo (and better judgment). taking things hard and in all the wrong ways, mistaking presence for intent. missing and longing. spurring on beautiful things, yes, but shivering and de-enlisting. it's a different day. i was guilty of misconception. and presently, i can't see this being the same.

i referred to a reaction i had a couple weeks ago, and it was so unbelievable that i could watch myself generate such a complex hive of emotion, and have the clarity to see through it. to have the vision to not sit within it, and let it conspire and devour me and all i've built up out of myself, some great defining line. i was given some possibility, some fraction of time to experience something that i'd been anticipating for months. and when i was finally given the window of time, the quantified measure of the experience, my first reaction was denial and almost a manner of scoffing. not enough, or not as substantial, or not some endless perpetuation. i'm not sure what the expectation had been. and this was something that i'd made certain to appreciate. a volume put aside for an hour when you get an hour. the kind of thing that i'd pause in any event of escape. the match you let burn your fingers.

sneaking out of your room at night,
stealing glances;
just one peak.

i couldn't believe i'd let myself get such a negative view on something i'd allowed to come so calmly. the disheartening was over in an hour or so, once the glow settled in.

the window came, it went just as quickly. the air of it rushed out in a gasp.
i remember the commute home. how many pieces i floated together as, some suspension of quartered gravity. i still feel that force humming me from place to place, the hands of clutter that laid me down once i got home.

i relive the shortest of contact,
[her heavy bags on her shoulders]
a brevity drawn in decimalspeak:
[our coats all buttons and ringing]
so short, there is no ending.

the hangers on hanging on,
nanoscopic for the promise of more.

she is fact
& more.

--

had a conversation with dad today.
never shared those kinds of words before.
the idea might be enough inspiration,
but the funding, no small bit of it.
researching soon.

lumet.

2010-11-03T12:21:00.001-04:00

i kind of won't forgive myself for not shaking the dust off of my bent knees in front of my xbox360 and going to see an exhibit at the new museum on brion gysin's dream machine. it was there, i could have seen it. a member of the beats, something i claim to care about, something i claim to be tied to and connected to and inspired by... nah, i think i'd rather do something recreational and stationary. -- that right there, that's a pattern. that's something that i've done all too well. got me a nice worn path. circular, foot patterns driving in like trenches.

that's why i have to almost shove myself, through convenience or inconvenience, through tact or not, to go see william s. burroughs: a man within when it makes it to the IFC theater in november. it's a must. anyone willing to join, i'm completely down to make this a group effort.

also, i have an idea of what i want to do for my birthday. and i need everyone's participation.

nonconsequent.

2010-11-02T12:58:00.002-04:00

this is more a reminder and a trailer, possibly, to a future post. late last week, i had an interesting emotional reaction to a certain piece of news i got. and i had my initial reaction, and then my actual reaction. there's a whole backdrop of that as well. and i want to see officially where that whole thing is once the case is closed. so interesting.

also, nanowrimo is on its way. i have no planning, and no outlining, just kind of running with a loose story i have in my head, and a few characters i've had hanging out for a while. so i figured i'd let them have their little stage time now. threw the 'word war' widget on the side bar over there (on the actual blog site for those who just read through RSS). myself, brian, and ernesto are all tracked. if you are participating, let me know. i'd love to buddy you, and also add you to the 'race'. to me, there's definitely not a competition but a brotherhood for it. but either way....

columbine.

2010-10-29T01:58:00.002-04:00

you can know what's at the end
and grind right on through it,
'cause god fuck all else.

the calendar track.

2010-10-27T09:43:00.004-04:00

this is happening. i plan on writing as much as possible within the parentheses of 11/1 and 11/30 though i'm not sure if i'll be able to grind through the 50,000 words. i'm curious to see where i end up. i'm dedicating time to it, though, whenever i can. this month is meant for this. i have a couple of ideas always floating around, and it seems that one of them makes a lot of sense for this project specifically. let's roll.

---
(oh, also:
)

these have always been monsters.

2010-10-19T23:20:00.002-04:00

oh my god.
this is how you [re]imagine.

rhys has always been dope, but this is why you follow an artist. because when they finally do the project you love with the style that made you get the chills from the moment you saw anything they've done. there's something about an artist finding their voice and running with it without ever looking back that inspires me so far outside my skin, but so far within it. unreal.

terminal.

2010-10-19T19:15:00.002-04:00

highly recommend you follow this blog.
more specifically, the photo portion.

i've linked to one collection already, but i think they may have topped it with the one posted yesterday, highlighting urban decay. below are a couple of examples, but how do you choose just one.

sumatra.

2010-10-12T07:51:00.003-04:00

i blame the red bull [girls].
they came by last night around 10, couldn't have been later than 10:15 and dropped off a bunch of cans of red bull, one for each of us. 16oz. and for me, it's proven to be a day-remover. worked the midnight release, drove home, played games til 5 or so. laid down out of necessity. hit the pillows and tried to let monday sail into whatever comes in the umbral dreamscape that then becomes tuesday. nothing. just vibrating and gyrating nerve cells. they're feeling everything. barometric readings from elsewheres. gravity. they're feeling below the bed, pressing up towards the ceiling hoping to discover the hoverways. my brain is still on an REM train. there was no stopping that. it could be all the dreamjournalling i've been doing, but there was no way that a calendar page was going to go by blankly. so i'm thinking about somalian children and the gas and liquid that fills their hungry bellies and if it would be any worse to cut them open (in a dissection manner) than it would be if you were to cut open any other person. would there be a popping or a hissing? all this depressurization talk got me thinking about space and then gold disco balls, but i'm still not getting any closer to sleep.

seven o'clock comes.
i have to move the car.
or it's $40. is it worth it?
is it $40? is it more?
i'll move it.

the sound outside is the kind of sound that only makes sense in city 17. a repetitive loud metallic bang, like God smelting a weapon for a bigger God. and it echoes off of everything, massive or not. it's a sound you'd hunt down if you could find which sound wave is the original. like the hall of mirrors in conan without monster masks. and that guy was RIPPED. and now he's dead. but the sound is everywhere on the streets, and it's everywhere in the stairwell, and laying down again, it's everywhere in the bedroom. and who knows if it ever stopped. has this been there always? or did it even start? is this a retranslated toothache? is this a body no longer able to feel pain, only able to convert it into sound?

[/]cat counts still all have to be done today. or tomorrow. can i do it tomorrow? who works tomorrow? it's not bad. maybe i'll fake it. can't fake it. what's the point. if you're going to fake it, just don't do it. [\]

work at one. which means leaving at noon. where am i going to park thursday night? whole block's parking is shut down because they'll be filming "the sitter". did i see shannyn sassomon the other day? jesus christ, i looked up her imdb profile, and i just need you to read the description of her next movie, man without a head.

fuck, this can't all be real.
i know i lost a moleskine by accident again. i don't know if i lost it in the house or in the world. i have tons of info in there, phone number, this blog address, flickr, twitter... i wonder if there was anything horrifying in there. i wonder if i'd return it to me anyway. and i did get a phone call from a number i don't recognize. just google'd it. and it's up the block from where i work. but i wasn't on
the island
all weekend.

tuesday remains.

[edit: i forgot to mention that in the early moments of me laying down, i heard a female shout or scream THIS statement outside. which i... i guess i don't see why i didn't even react to it at the time, because wow:

"mercy! chris, please! mercy! you are not god! stop! don't touch me!"

and i continued to inarticulate words screamed as they were down the block. just the female though.

end bracket.]

fossileyes.

2010-10-03T19:57:00.000-04:00

two projects completed today. took this weekend specifically to complete a couple things as well as get my plans down for a third. feeling good about all of the above.

A LETTER WEST is complete, I have 20 of them to go around. sort of have an idea who is getting them, but I'll expand (or contract) that as it goes. if you read this and are interested, let me know. more than likely, if you read this I have you in mind. but who knows, I've been surprised before. conversely, if you read this and could really care less, let me know. I'll save it for someone else or no one else. no offense, really.

MIX XVII: ONCE THE HOME OF ROCKETS is also done. tracklist method went back to the old school with song artist, title, then blurb of explanation showcasing why I've included it on the cd. last few have gone a more minimalist route (or have had none at all) but a couple requests to bring it back made it easy to oblige. I've always had ideas to get more creative with the presentation of those cds, and the one I tried with the mini CD-R should have been joined with a customer service #. as always, if anyone hearing these mixes enjoys and tracks down just one song or one artist from the collection, I feel accomlished. if you want one and don't feel you're getting one, again, throw me a heads up.

the last project I worked on this weekend was a supplement to the dream journals I've done. just tried to get a bit of a plan together. and now it's just manning up, charging the camera, and executing a tremendous piece, regardless of audience.

I'm often proud of the things I do, regardless of how it's received or by how many. I'm hungry for feedback regardless of who it's from, just so I know where to go and how to make the next bit that I do more enjoyable. I put hours into these things, and it's all to entertain my friends and acquaintances. for free. I'm doing all of this because this is what I want to see come back to me at some point. I want to be handed someone's creative output. It often comes in the form of music in my circle, but I'm always excited to see what else my rotate back.

forget fame.
I'd screw it up anyway.

throwback.

2010-10-02T20:49:00.002-04:00

in 2009, i went to las vegas for the manager's conference. this is a memo i had in my old phone. it was a list of notes i was taking in real time watching rick, ioannis, and ricardo hit on TONS of women passing us by in a shithole casino. it's been about a year since i've looked at this.

-------
-Women in mobile chairs do not like ioannis

-english women don't like rick

-english women are scared of ioannis

-australian girls like rick
-and apparently think he's gay

-ricardo is mildly enjoyed by hookers

-bitchy women are bitches to everyone

-old women ignore ioannis

-100% of men i've met on gamestop tv sleep with people in my district

-english chicks want cock

-olde english men love all of us

-asian women treat rick like godzilla

-ricardo loses money regardless

-girls from guam will more than likely be split into mutliple pieces by ioannis and steve

-ioannis is polite

-who wants to deal with the wheelchair bound smoker

-it's not good to laugh

-looks first, drinks second, personality third

-californians don't get high fives from californians
------

also, with startling relevance, here is the first video to surface from san antonio, as promised when i first got back.

and you know it.

2010-10-01T17:50:00.002-04:00

we did some discussing earlier today. got to a point i really couldn't explain my stance or perspective outside of exactly how it was. no more dancing around the point and using euphemisms instead of pragmatic solutions.

i just want some time alone. and if that means living alone, then so be it.
i'm kind of begging for it. and in the past couple weeks, i've realized that every girlfriend i've had has lived with me, whether the invitation was there or not, since i've been doing relationships. rarely have i had the calling back and forth, or the so-excited-to-see-you, or any of that business. i've never had to look further than my elbow, really, to find whoever she is. and it's clearly been an issue. i'm at my end now, where i can't even find a moment's peace in dead silence. the proximity of another individual creates a noise of its own. i'm definitely not saying this is okay, or that it's their problem... but i'm saying it needs to be dealt with.

but in this discussion i came to the realization that i'm playing video games MUCH more than i ever have before, mostly because i can't get the quiet i need to read or write or do anything progressive. mindlessly sort of disappearing into these games. i'm not sure if there's a direct relationship to it, but i'm sure it could be written into some study about the affects or reasons for playing games. a whole level of role-play or self-escapism. usually don't give too much merit to these kinds of studies or statements but in this instance, it at least seems to add up.

2010-09-26T03:20:00.002-04:00

went back, exhumed some.
found a genuine curiosity and pressing unique to love and only love.

saw the devout and frantic nervous words of trying to capture the mass overthrow of mentality caused by hungry and ravenous hearts. needing and knowing nothing else. not just the visage but the all-around tidal velocity undertow of her.

i kept the other half too. words where i'd see the deception of intent there. forcing effort just to posture them on a platform that was suitable for communication. untrustworthy; vultures swarming.

i'm in neither here,
and i missed my ship.

stockholm syndrome is real.

design.

2010-09-21T08:01:00.001-04:00

aside from stripping down to oil lamps and that whole process, i agree with what's being said here. it takes different styles, different moods etc. i know people who can't even imagine sitting down and writing in a notebook being anything more than an archaic waste of time. personally, 100%, i would feel absolutely nothing if i were filling word documents with the kinds of things found in my myriad moleskines. there's a catharsis to it. the feel of so much blood.

sci-fi author on writing.

-

mix cd almost done.
dream journal filling fast.
video project to accompany if i can commit.

the many men of one face.

2010-09-17T02:26:00.004-04:00

as far as i'm concerned, i haven't been here in years.
i threw a girl down the orgasm hole, stared down into it like a biologist. spasms and muscle contractions again. science versus recorded science: proper. my eyes fixed through her energy. you aren't here, you aren't here, you aren't here, you aren't her. i remember the heat when we couldn't even lay close but there was the desertpact we'd made, a cobra in heat, wrapped and torn together like arteries, moving like an anthill from meters off, the pulsing mass, thoughts drawn to the place where monasteries chant.

scales and scaling.
you walking off and oh god your human shape.

terror of the weather at its coldest and where i'd been a year ago.
when the volume got eroded.
when there was the finale as a curtain emergency.
lights up.
audience liability.
fingerlightening: your story vs your life.
understood, it was your life or it was me.
it was years you'd built up or years you'd spent.
on a has been.

i told you things i'd told my witnesses
about your stance and the prints you'd
left across my intricates. i knew you.
i failed as this is still a bridge of gasoline:
the flint in museum vacuumed glass, the steel my fingernails.

i'm an approach in recognized delay,
the pendulum held in apexloft.
say go,
i mean it:

you tell me go,
i go.

oxygenarian.

2010-09-11T08:56:00.001-04:00

written on the commute to work while on the four ninety five. please excuse grammatical imperfections.

I often have no idea what anyones talking about and thinking back I have no clue how they fill up the silent space. What the stories are describing or who the characters are, or what has stuck. I think about trying to reengage some of them, the ones who are my age range, somewhat within my generation... But there's no venn diagram thats fulled with much more than blood. Movies, tv, music, games, books, any media.. Social appetite dripped down to minimal priority. I got to watch my dad, drunk because he was bored, stand up to flip some burgers, stagger, then smack his head on an air conditioner this past weekend. Mom laughs, "my husband has had a little too much to drink." What the fuck is happening.

portly.

2010-09-05T11:39:00.000-04:00

i have spent the last few days thinking about drunk regret. and i guess i can't really say i've gotten to the point where i've succumb to it very hard at any point in my life. though this weekend could be a candidate for such a moment, with the juvenile karaoke bit, then the dancing with the girls on stage bit, though those things are just moments. i saw a video the next day cold-sober and i felt nothing about it. though i guess i start to think about the different levels and waves of people seeing it and the various possible reactions. but the amount of energy i've spent on thinking about that doesn't even show on the scan compared to what my phone history told me. called that number 3 times. based on the call time, i don't think i left any voicemails or anything brutally detailed like that. but still. how my fingers and mind continuously stray to that place is uncanny. it's so trustworthy. i'm sure it's best that these calls went ignored or missed.

if i can remember to associate it here, i'll post a link to any/all incriminating evidence from that night here (some are below, though these are just tolerable moments).

.

--

the first night we were out, we went to this horrible horrible place called "dick's last resort" (this particular location), and were told we were going to eat. instead they paid for a ton of drinks, and let us watch the house band who was decent, but seemed to be manufactured from the sum of dragging some lake. to explain a major part of the restaurant's modus operandi, they try making you feel like shit about yourself blatantly. in fact, an ongoing theme is that they'll make a paper hat for you and write some level of ridiculous quote on it (such as "i miss prison sex!"). the tablecloths are paper, and i had written down a TON of ideas for MY hat, none of which were taken. unfortunately, i ran out of room in front of me and started writing ideas down in a moleskine. i lost the entire thing. it's okay... it was only half full and was only from a couple nights before, the plane ride, and that day. but i can throw some ideas at you:

- my cock is a fortress of solitude.
- why does my mom's birthday remind me of the boy's locker room?
- this is the disney land of cop-a-feelia.
- the last chick i banged looked like lost highway from the waist down.
- the only thing gayer than me is the guy that came in my ass.

each time i offered a hat idea to the staff, they looked at me like i was some kind of foul-mouthed hooligan.

go hard or go home.

jazzman worked his cold.

2010-08-22T02:23:00.001-04:00

I wish I felt this lucid all the time. When it happened I'm not sure but I got jumpstarted and sat down and couldn't stand up. Two, three different books with different purposes. Can't ever do this at home. It's never quiet enough and I don't have a place to sit and lean forward and push down into the pages. I talked about needing a writing desk and not just a desk to put a computer on and what not. Cowboy bebop dubbed is trash. But yeah I thought that was just an excuse. The desk thing. It is, essentially. A real writer a real artist would write genius in the palm of his hand and take a shitty snapshot everyday just to make it really work, to make it really happen. It's less about the audience more about the output. the sun shines because it can't do any other goddamn thing. And it'll be done when it's done. Like when it goes nova it'll care about who is going to freeze. I stopped writing here because I started thinking about who's reading and what's worth sharing and started putting up filters from me to you and started becoming a filing system that organized thoughts into yes/no piles, not okay/totally okay... It's all bullshit anyway in the best way possible. If all you ever read was Asimov and it made you happy, then fuck what they're trying to tell you are the classics. If it's not digestible or reproductive it's worthless.
Evolution's going outward in branches.
Even the species has species.

I'll be in texas in seven and a half days. I stopped drinking as much as I used to not because I was drinking too much but because others around me were drinking too much. I live so far away from where I work that I get nervous to sleep late because I feel like I'll lose my job so I sleep early and am constantly worrying. I like when people think they look like celebrities they don't look like at all. I am still writing down my dreams as often as I have them but I've stopped writing everything else otherwise. What I've become is a video game playing homebody. I don't even listen to new music anymore. I crossed over into the place I was growing into where NOTHING new is impressing me. It's like having the scabbed veins of junky scum and just as fun to talk to. You know what tomorrow is? Another day less of summer.

chromo.

2010-07-23T08:31:00.003-04:00

+ these are great.
+ these are great.
+ these are great.
[there's more, jump around].

wirewound.

2010-07-19T22:16:00.001-04:00

A boy of around 7 came walking in today, slow and quiet, quick and calm to respond to the greeting. He walked the wall with bare eyes, a young scholarly gaze somewhat exploring the library as was prepared for him. His hands in his pockets, head bent back to the higher shelves that seemed to tower above him, he strafed in observation. Minutes later, the father walks in, calls looking for him and finds him in his pose. "You find anything buddy?" is the question, and three words into the slow response, the father is saying, "alright, alright. calm down, calm down."

Silence again, still the walking of the wall, the slow reading and picture translation. I hear the grown man reciting titles at what seems like dartboard relevance. "So what're you thinking, buddy?" is the question, and again, the response begins to come, case in hand, title at the ready and the father again warns, "okay. calm down now."

Somewhere in there I missed something drastic, some psychological disrhythmia. Who needs the calming? Is the boy shuddering where I can't see, his eyes rolling in the back of his head? Are his knees jerking and gyrating at an angle I couldn't see? Was he urinating on himself, unable to contain the urges he was subduing vocally? Or is the father here so terrified of his son's genuine interest that any gesture of free will sends the fear of rebellion through him?

Sent via BlackBerry from T-Mobile

proud partner.

2010-07-15T02:29:00.002-04:00

this was a thought that began at the beginning of a car ride home and expanded into a dialogue with myself for some time. something that got so large i was beginning to figure out the different ways to take it in a blog post. then after finding parking, and walking to the apartment, i've sort of lost my way with it.

but,
it's so unbelievable how far we've come with our heroes and our protagonists. look at superman, this unbeatable God of a humanoid. look at hulk hogan, this all-american, prayer spouting, vitamin taking, unending closet owning world champion. now, we look to the flawed and the humble to garner that immense inspiration. the greeks were really on to something by making their deity structure just as crushing as our social lives.

i'm tired, and i've been sleeping more than i ever have.

the outwoods.

2010-07-04T12:46:00.002-04:00

i went to a 2 week sleepaway camp in 1992. we just found some post cards I sent home while away. these are presented in their entirety, verbatim. NO WORDS.

20 JUL 1992
Dear mom and dad, I miss you. Hope you like the tape. I can't wait till you right. My counceler is Dan. I gotta go now so bye! Love, Steve.

24 JUL 1992
Dear parents, [heart]xxoo Eugene sent me a letter and a sticker that said Marines. I got Christine's letter. It is raining right Now. I love righting to you. I have nothing more to say so bye! Love Steve.

24 JUL 1992
Dear mom and dad, did you get my other postcard? I hope so. Today we are going to Arts + Crafts, Drama, Volleyball, Softball and archery. I have to go eat chow so bye.

27 JUL 1992
(front of card has sad face drawn on it with tears rolling down cheeks, and the words DAN DO NOT READ!!)
Dear mom and dad, please come and pick me up. I am lonely. [another sad face with tears rolling down face. this one has hair on it's head, somewhat spiked] love steve. P.S. can't spend another day without you.

28 JUL 1992
xxooxxoo love steve,
Dear mom & dad, aunt olga and erica wrote to me. So did you dad. I love you both. I went boating today. I have to go to dinner now so bye! I also met Chris A. The food is great here. P.S. Don't call me chubba!!! Hee Hee!

29 JUL 1992
Wed. July 29, 1992. I [heart with words love you inside] love you dad!
xxxxxxxx
xxxxxxxxooo
ooooooooooo
oooooo. [heart]. [periods actually included]
Dear dad, I miss you sooooo much. I'm sorry for telling you to pick me up early. I was so tired I didn't know what I was doing. I can't wait to see you again. Love steve.

29 JUL 1992
Wed. July 29, 1992
I [heart with the word love inside] you mom!
xxxxxx
xxxxxxxxooooo
ooooooooooooo
[heart]
Dear mom, sorry but I lost my splish splash hat. I feel so bad! Thanks for the nintendo book. I really love it. Don't come and pick me up early. Like I said. Love, steve.

1 AUG 1992
hi! I'm fine. Tusday we went to the boat docks. I went in the padll boats and wen it was time to go in the roboats I hade to go to the bathroom so bad I jumt in the water.

END.

gunned down eyes.

2010-06-13T14:04:00.002-04:00

so I had an old copy of kerouac's "The Road" in my hands at this old used book store and I was excited about the history the hands that have held this copy may have thought. I leafed through it and started seeing highlights and underlines, and saw that the pieces that were captured seemed very remote and emotionless, as if I'd flipped through channels with closed captioning on, catching pieces of out of context subtitles. got me thinking about the way people read and what their brain attaches to different meanings of the little text pockets we mark to stand out to our future selves or other future individuals. the choice is almost always a story in

real!

2010-05-25T22:38:00.002-04:00

so this just happened:

WOMAN
oh yeah! we're going away this weekend, but maybe intimate barbecue next weekend?

:pause:

OTHER VOICE FROM WINDOW ABOVE
(exact same delivery) oh yeah! we're going away this weekend, but maybe intimate barbecue next weekend?

wrencher.

2010-05-24T11:26:00.002-04:00

pretty bad news:
long story short, my hard drive fell and the USB port physically snapped, breaking any and all possibility of connecting PC --> hard drive until it's repaired.

pretty good news:
my ipod had all of my music on it, and i can use it as a hard drive in the meantime.

+ new dream collection is completed. 17 pages of wtf.

+ the letter project is a couple of steps away from being completed.

www.bloodstreamcity.com

mucked in the mire of sloth.

2010-05-11T12:34:00.002-04:00

can you think of a more
pathetic liar than he
who has the ability to
turn his filth into truth,
sin into retribution?

Wordplay.

2010-04-21T20:35:00.002-04:00

I was asked to help try and come up with a name for a clothing line that was both polished and deconstructed. Stoic and chaotic. Came up with a few. These are the ones that were shot down:

Deadparty
Apocalite
Necrodancer
Poetricide
The Flood
Dissectia
Neunuke

New name is pretty good. Hopefully you'll see a wordcombo of my work opn labels soon. But maybe not.

hollywood stunts.

2010-04-12T10:25:00.001-04:00

The move to brooklyn is complete. Days old, in fact more than a week has gone by. This is a place I can feel I want to be, and a place that I feel wants me for who I am. Some kind of welcome warm embrace, a home found, half of a reunion. Found a ton of cool stores around here, all of which are independent that are 100% worth frequenting, and the restaurants here are also on point. Some pictures already showing up on the Flickr.

Went to a bar called Coco 66 which always seems pretty bustling any night and during the day on weekends, but some random nights showcase an event called DUBSTEP which I've heard referenced on a british electro podcast. It essentially transforms the back open dance area into a thunderdome of powerful drum&bass, Prodigy/Dizzy Rascal industrial thudfest. Some of the stuff I heard in there was unbelievable. It had a vibe more similar to live music than a club, and the set was going for hours. I'll definitely be returning. RSVP. -- also worth noting, Dave came with me and our twitters reflected the kind of brain I eroded to. If you follow, I apologize. I also wrote a piece while on the dance floor that you'll be able to read in a collection of poetry/journal entries I'm compiling.

And the new dream journal will be done soon.

I got a new phone. Another blackberry, which is fine. I was happy with the last one, but I watched it shimmy off its last breath[e?]. One thing that hurts is that all of my old memos remain in that phone, and there is some truly memorable stuff in it. I'll probably post them on here at some point. I plan on handwriting them into a notebook soon just to have. Yes, I've tried emailing them to myself by transplanting the old SIM card back into the phone but the emails keep not sending. It's fine, it's not the end of the world. In related news, my browser already stopped responding on this phone, but with a little fuckery, I managed to restore it. Yeah knucklehead.

Coexisting with a female is easy.
Coexisting with THIS is difficult.
I've sort of started to pick up on the fact that maybe I wasn't meant for relationships. I ruin people. I take a good thing and try to rearrange it. I make rubik's cubes out of people. I've always sort of known that I was difficult to deal with, and my reasoning is flawed (utilizing logic to a fault) but when it starts putting pressure where I don't need pressure, I start to need to run and I start to get really atrocious.

Help. I still love Her.

Sent via BlackBerry from T-Mobile

cadillacadaisical.

2010-03-26T16:10:00.001-04:00

Departure.
Laying in bed, i'm still sore from all the moving yesterday. Beetle's here and sick, coughing something terrible, but her spirits are outstanding to a degree. Her things are in my room (and my car, and her car, and the garage) which makes my usual mental check for packing distracting. If i realize i'm missing something i'll be fine. Last night i couldn't even keep my body awake, let alone my mind. Fell asleep at 1230a, woke up at 1015a. Took a shower and she was already emptying the car to take me. Kerry was sleeping and i'm assuming so was Capone (a week old kitten we're trying to rescue; she is an adorable calico).

Flight 1.
US3157.
JFK to Charlotte, departing 12:59p.

Arrived at JFK, US Airways automated self check-in machines are all down, while the attendants stare at a line of potential passengers as if we are clueless in how to operate their touch screen replacements. Get tickets, stand in a security checkpoint line behind a drove of individuals headed to Tokyo. Proceed to retaurant area, choose a place called Boccelli's (instead of the alternative neighbor, Mcdonald's) and get a egg & croissant sandwich w/ OJ for just under $10. As expected, it's alright. Sitting by the gate now, reading Girlfriend In a Coma by Douglas Coupland. Looks like everyone else chose Mcdonald's.

Flight 2.
US1723.
Charlotte to Fort Lauderdale, departing 615p.

On the flight here, sat next to a guy who looked like he'd be fairly good natured. Opened up a conversation right away. The standard where you headed/where am i going decorum. Talked to him about FL for two minutes or so, asked about his trip. His response was, "headed to Charlotte, last stop. Gonna make the hour drive to North Carolina." Shut it down. Read a massive chunk of "...Coma". Two of the most attractive stewardesses i've seen. Started passing out around the time they gave the landing in 25 minutes announcement. Slept through the landing, woke up during taxiing. Kept having nanodreams that people were laughing at me or hissing at their neighbors. Had a dream tourist look me in the face and say "what's up with her?" pointing across my seatmate, into an imaginary third seat that would be located outside the plane. Landed, got out of the plane quicker than any other flight i've ever been on. Used the restroom which smelled of cinnamon, which is actually the legitimate polar opposite of the smell of rotting bodies. Visited a watering hole called A Taste of Carolina and started rolling back a beer called Carolina Blonde which is delicious. Sat at the bar ignoring the Mets/Cardinals game, finishing my book. Another guy around my age was sitting at the corner of the bar drinking what looked like an IPA reading a book called Writing Horror Screenplays. Wanted to talk, but he was buried in the book and his headphones. Heard two businesswomen going nuts about emails and meetings, and they used the phrase "no shit sherlock!" which was amazing. Also, across from me at the gate a woman was playing a DS and shaking her head shamefully at the screen. I start passing out in my seat, certainly drunker onboard than I'd been in the terminal. i'm sure i hear the pilot shout "bleeding, discernably" but this is a fable. I finish Girlfriend In a Coma in my seat (26D) and instantly jump to Nova Express by Burroughs. Pages in, i'm sure i'm in for a ride. An unreal tone. A man putting his luggage into the overhead would look like a shaman with facepaint. But now he looks dead.

Arrival.
Got to Fort Lauderdale airport and was scooped up almost instantly by Dave. Went to Blockbuster to return his movies (including New Moon!!) and rented Ong Bak 2. Grabbed beer, headed to his building after finding illegal parking. Was met in the elevator by a promiscuous woman named Tiffany who was insantly ready to 'find a good time' with either of us. Ate, watched dave harvest planets, drank and passed out watching Ong Bak. Happy hour, pool, Transit Lounge, and Electric Pickle tomorrow night. Double date Saturday night. You can smell the skies turning to formaldehyde.

Bienvenido.
Sent via BlackBerry from T-Mobile

real.

2010-03-20T13:36:00.001-04:00

sometimes i wish my store was unbelievably small, like a dry cleaners or something. this way when the lurkers came in to breathe on everything they'd feel the awkward silent waiting, and just how undeniably heavy their presence was.

/retail

carlisle.

2010-03-17T02:07:00.002-04:00

it's actually been a while since i've shared.
it's all in books i carry with me.
i reach these shores less and less.
i'll find a space soon.

to sum:
i turned 28.
spend a lot of time in nyc.
moving to brooklyn in april.

oh.

2009-12-29T01:15:00.001-05:00

As a drunk MAN i totally just found myself within the hold the complete
hold
of professional sports, FOOTBALL, to be precise and the playoffs which will be the grip of it all, which will be the final piece, the final elimination of all things.

It's irrelevant. It's the career of some professional... Irrelevant... Doesn't relate, like some movie star and his change, and i'm thinking OH SHIT!! it might be that he might be a game out of the playoff race and what is he doing at home?

and i'm shivering because it's so cold
because there aint much that's happening here
(3am by matchbook romance)
and oh wow... OH WOW...
WHERE AM I GOING AFTER THIS?

home.
wow.
No regret. No reward.

Shit.

And now i pay my tab
and hope to leave
with the correct tab/tip left
and driving home
is a bet with the kind of hope
like left/right
means that i made it home.

I shiver like no one knows what's
wrong.

and a guy with a motley crue
shirt tells me i'm the kind of guy
that will date lady gaga.

still
shivering.

is ink.

2009-12-14T23:03:00.001-05:00

i talk about starving,
but i
devour and i hide
and i continue
to live,
Comfortably.

I am the fierce scum of the earth,
speaking an evil i can't commit to,
delaying an ideal,
slothing and glutting and lusting
and beholding a form of false idol.

I am the scum of the living days.
I will send you
out to war
from behind my
horrid veil.

once legendary, now legend.

2009-12-09T12:09:00.002-05:00

will probably post later today about a new art/writing project i started earlier this week, but for now, please check out this photo gallery of 'Ethiopia's Vanishing Tribes.' the fact that these peoples still exist make me feel so many different things, believe it or not. i kind of like it, i kind of don't, i'm not really sure where to go with it. but their purity is beauty.

either way, these photos are GORGEOUS. 19 is my favorite, followed by 8 and 2.

africa.